The age of scholarship succeeded, and Italian students began to interpret the ancient classical authors with a mysticism all their own. They sought a means of reconciling Christian thought with ancient pagan philosophy, and, like Clement of Alexandria and Origen, discovered it in Platonism. Platonic academies were founded, and Cardinal Bessarion, Marsiglio Ficino, and Pico della Mirandola became the Christian Platonists of Italy. Of course, in their enthusiasm they went too far. They appropriated the whole intellectual life of a pagan age, and adopted its ethical as well as its intellectual perceptions, its basis of sensuous pleasures, and its joy in sensuous living. Still their main thought was to show that Hellenism as well as Judaism was a pathway to Christianity, and that the Sibyl as well as David was a witness for Christ. The Papacy lent its patronage to the revival of literature and art, and put itself at the head of the movement of intellectual life. Pope Nicolas V. (1447-1455) was the first Bishop of Rome who fostered the Renaissance, and he himself may be taken as representing the sincerity, the simplicity, and the lofty intellectual and artistic aims of its earliest period. Sprung from an obscure family belonging to Saranza, a small town near Spezzia, and cast on his own resources before he had fairly quitted boyhood, he had risen by his talents and his character to the highest position in the Church. He had been private tutor, secretary, librarian, and through all a genuine lover of books. They were the only personal luxury he indulged in, and perhaps no one in his days knew more about them. He was the confidential adviser of Lorenzo de Medici when he founded his great library in San Marco. He himself began the Vatican Library. He had agents who ransacked the monasteries of Europe, and he collected the literary relics which had escaped destruction in the sack of Constantinople. Before his death his library in the Vatican contained more than 5000 MSS. He gathered round him a band of illustrious artists and scholars. He filled Rome with skilled and artistic artisans, with decorators, jewellers, workers in painted glass and embroidery. The famous Leo Alberti was one of his architects, and Fra Angelico one of his artists. Laurentius Valla and Poggio Bracciolini, Cardinal Bessarion and George of Trebizond, were among his scholars. He directed and inspired their work. Valla’s critical attacks on the Donation of Constantine, and on the tradition that the Twelve had dictated the Apostles’ Creed, did not shake his confidence in the scholar. The principal Greek authors were translated into Latin by his orders. Europe saw theology, learning, and art lending each other mutual support under the leadership of the head of the Church. Perhaps Julius II. (1503-1513) conceived more definitely than even Nicolas had done that one duty of the head of the Church was to assume the leadership of the intellectual and artistic movement which was