A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacySpalding, William
General
A Letter on Shakspere's Authorship of The Two Noble Kinsmen: and on the characteristics of Shakspere's style and the secret of his supremacy
The second scene introduces the heroes of the piece, Palamon and Arcite.
They are two youths of the blood-royal of Thebes, who follow the banners
of their sovereign with a sense that obedience is their duty, but under
a sorrowful conviction that his cause is unjust, and their country
rotten at the core. The scene is a dialogue between them, occupied in
lamentations and repinings over the dissolute manners of their native
Thebes. [Sidenote: has the characteristics of Shakspere.] Its broken
versification points out Shakspeare; the quaintness of some conceits is
his; and several of the phrases and images have much of his pointedness,
brevity, or obscurity. The scene, though not lofty in tone, does not
want interest, and contains some extremely original illustrations. But
quotations will be multiplied abundantly before we have done; and their
number must not be increased by the admission of any which are not
either unusually good or very distinctly characteristic of their author.
Some lines of the scene have been already given.
[Sidenote: Act I. scene iii.]
The third scene has the farewell commendations of the young Emilia and
her sister to Perithous, when he sets out to join Theseus, then before
the Theban walls, and a subsequent conversation of the two ladies.
[Sidenote: is probably all Shakspere's.] Much of this scene has
Shakspeare's stamp deeply cut upon it: it is probably all his. [Sidenote:
Act I. scene iii. has the characteristics of Shakspere.] It is
identified, not only by several others of the qualities marking the
first scene, but more particularly by the wealth of its allusion, and
by a closeness, directness, and pertinency of reply which Fletcher's
most spirited dialogues do not reach. It presents more than one
exceed[33:1]ingly beautiful climax; a figure which repeatedly occurs in
the play, and is always used with peculiar energy.
SCENE--_Before the Gates of Athens.--Enter Perithous, Hippolita, and
Emilia._
_Perithous._ No further.
_Hippolita._ Sir, farewell. Repeat my wish|es
To our great lord, of whose success I dare | not
Make any timorous question; yet I wish | him
Excess and overflow of power, an't might | be,
To dure ill-dealing Fortune. Speed to him!
Store never hurts good governors.
[Sidenote: Shakspere metaphor,]
_Perithous._ Though I know
His ocean needs not my poor drops, yet they
Must yield their tribute there. (_To Emilia._) My precious maid,
Those best affections that the heavens infuse
In their _best-tempered pieces_, keep _enthroned_
In your dear heart!
_Emilia._ Thanks, sir! Remember me
To our all royal brother, for whose speed
The great Bellona I'll solicit; and,
Since in our terrene state, petitions are | not,
Without gifts, understood, I'll offer to | her
What I shall be advised she likes. Our hearts
Are in his army, in his tent.
[Sidenote: phrase.]
Public-domain text, read in full here on John Shaqi.
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