In the second scene, the only speaker is the jailor's daughter, who, having lost Palamon in the wood, begins to shew symptoms of unsettled reason. There is some pathos in several parts of her soliloquy, but little vigour in the expression, or novelty in the thoughts. [Sidenote: Act III. scene iii.] The third scene is an exchange of brief speeches between the two knights. Arcite brings provisions for his kinsman, and the means of removing his fetters, and departs to fetch the armour. [Sidenote: is probably Fletcher's, and not Shakspere's.] In most respects the scene is not very characteristic of either writer, but leans towards Fletcher; and one argument for him might be drawn from an interchange of sarcasms between the kinsmen, in which they retort on each other, former amorous adventures: such a dialogue is quite like Fletcher's men of gaiety; and needless degradation of his principal characters, is a fault of which Shakspeare is not guilty. You may be able, hereafter, to see more distinctly the force of this reason. The scene contains one strikingly animated burst of jealous suspicion and impatience. _Arcite._ Pray you sit down then; and let me entreat | you, By all the honesty and honour in | you, No mention of this woman; 'twill disturb | us; We shall have time enough. _Palamon._ Well, sir, I'll pledge | you. . . . . . _Arcite._ Heigh-ho! _Palamon._ For Emily, upon my life!--Fool, Away with this strained mirth!--I say again, That sigh was breathed for Emily. Base cous|in, Darest thou break first? _Arcite._ You are wide. _Palamon._ By heaven and earth, There's nothing in thee honest!... [Sidenote: Act III. scenes iv. v.] In the next two scenes, placed in the forest, the jailor's daughter has reached the height of frenzy. [Sidenote: Gerrold has no spark of humour.] She meets the country[42:1]men who had encountered Arcite, and who are now headed by the learned and high-fantastical schoolmaster Gerrold, a personage who has the pedantry of Shakspeare's Holofernes, without one solitary spark of his humour. They are preparing a dance for the presence of the duke, and the maniac is adopted into their number, to fill up a vacancy. The duke and his train appear,--the pedagogue prologuizes,--the clowns dance,--and their self-satisfied Coryphaeus apologizes and epiloguizes. [Sidenote: Act III. scene iv. v. Fletcher's.] Some of Fletcher's very phrases and forms of expression have been traced in these two scenes. [Sidenote: Act III. scene vi.]