A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.Tarbell, Ida M. (Ida Minerva)
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A Life of Napoleon Bonaparte, with a Sketch of Josephine, Empress of the French.
Tarbell, Ida M. (Ida Minerva)
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814; Napoleon I, Emperor of the French, 1769-1821
“He had removed the wreath of laurel which he wore on entering the
church, and which encircles his brow in the fine picture of Gérard.
The crown was, perhaps, in itself, less becoming to him; but the
expression excited by the act of putting it on, rendered him
perfectly handsome.
“When the moment arrived for Josephine to take an active part in the
grand drama, she descended from the throne and advanced towards the
altar, where the emperor awaited her, followed by her retinue of
court ladies, and having her train borne by the Princesses Caroline,
Julie, Eliza, and Louis. One of the chief beauties of the Empress
Josephine was not merely her fine figure, but the elegant turn of
her neck, and the way in which she carried her head; indeed, her
deportment altogether was conspicuous for dignity and grace. I have
had the honor of being presented to many _real princesses_, to use
the phrase of the Faubourg Saint-Germain, but I never saw one who,
to my eyes, presented so perfect a personification of elegance and
majesty. In Napoleon’s countenance I could read the conviction of
all I have just said. He looked with an air of complacency at the
empress as she advanced towards him; and when she knelt down, when
the tears, which she could not repress, fell upon her clasped hands,
as they were raised to Heaven, or rather to Napoleon, both then
appeared to enjoy one of those fleeting moments of pure felicity
which are unique in a lifetime, and serve to fill up a lustrum of
years. The emperor performed, with peculiar grace, every action
required of him during the ceremony; but his manner of crowning
Josephine was most remarkable: after receiving the small crown,
surmounted by the cross, he had first to place it on his own head,
and then to transfer it to that of the empress. When the moment
arrived for placing the crown on the head of the woman whom popular
superstition regarded as his good genius, his manner was almost
playful. He took great pains to arrange this little crown, which was
placed over Josephine’s tiara of diamonds; he put it on, then took
it off, and finally put it on again, as if to promise her she should
wear it gracefully and lightly.”
Public-domain text, read in full here on John Shaqi.
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