Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892
As this estimate was subsequently quoted by Whitman with approval, and
referred to as an authority, it evidently tallied with his reading
of himself, and while it is by no means remarkable or particularly
significant, it bears out other testimony. That "reckless swing of
animal will" always distinguished him from the colourless peripatetic
brains and cold-blooded collectors of copy so numerous in the hosts of
journalism. Walt came of a race of slow but passionate men, and when he
was deeply moved he could be terrible. At such times his wrath blazed
up and overwhelmed him in its sudden access, but it was as short-lived
as it was swift.
It is related[133] that once in a Brooklyn church he failed to remove
his soft broad-brimmed hat, and entered the building with his head
thus covered, looking for all the world like some Quaker of the olden
time. The offending article was roughly knocked off by the verger. Walt
picked it up, twisted it into a sort of scourge, seized the astonished
official by the collar--he always detested officials--trounced him with
it, clapped it on his head again, and so, abruptly and coolly, left
the church. He was a tall, muscular fellow, stood six feet two, and
was broad in proportion, and could deal effectually with an offensive
person when he felt that action was called for. Such actions naturally
added to his popularity among the "boys"--the stage-drivers, firemen
and others--with whom he was always a favourite. But, as a rule, he
had no occasion to use his strength in this manner. He never gave,
and rarely recognised, provocation. There are times, however, when
persuasion has to give place to more summary demonstrations of purpose.
Of his strength, but especially of his health, he was not a little
proud. As a lad, the praise that delighted him most was that of his
well-developed body as he bathed.[134] He did not care to be thought
handsome; he knew that wholesomeness and health were really more
attractive, and he was content with his own perfect soundness. He was
never ailing, even when, in his 'teens, he outgrew for a time his
natural vigour. In middle life it was his boast that he could not
remember what it was to be sick. Vanity is so natural in the young
that when properly based it is probably a virtue, and there can be no
question that Walt's was well-founded.
* * * * *
There is something more, however, in the portrait I have been
describing than the perfection of physical health. It is health raised
to its highest possibility, which radiates outward from the innermost
seat of life, potent with the magnetism of personality, through every
pore and particle of flesh. His health, hitherto unbroken, had been
deepened into that sense of spiritual well-being which, in its fulness,
only accompanies the realisation of harmony or wholeness.[135] He had
undergone some fusing process which ended in unity and illumination.
Public-domain text, read in full here on John Shaqi.
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