With how rich a poetry it clothed itself in her remembrance, the land of
milk and honey, indeed, her heart's home. It was all but impossible to
keep the secret of her joy, yet she had resolved to do so, and her
purpose held firm.
'I am very glad indeed that you are so happy there,' sail her father,
looking at her with that quiet absorption in another's mood of which he
was so capable. 'But it will be London through the winter. You haven't
told me much about London; but then you were there so short a time.'
'But I saw much. Mrs. Rossall could not have been kinder; for the first
few days it was almost as if I had been a visitor; I was taken
everywhere.'
'I should like to see London before I die,' mused her father. 'Somehow I
have never managed to get so far.'
'Oh, we will see it together some day.'
'There's one thing,' said Mr. Hood, reflectively, 'that I wish
especially to see, and that is Holborn Viaduct. It must be a wonderful
piece of engineering; I remember thinking it out at the time it was
constructed. Of course you have seen it?'
'I am afraid not. We are very far away from the City. But I will go and
see it on the first opportunity.'
'Do, and send me a full description.'
His thoughts reverted to the views before them.
'After all, this isn't so bad. There's a great advantage in living so
near the Heath. I'm sure the air here is admirable; don't you smell how
fresh it is? And then, one gets fond of the place one's lived in for
years. I believe I should find it hard to leave Dunfield.'
Emily smiled gently.
'I wonder,' he pursued, 'whether you have the kind of feeling that came
to me just then? It struck me that, suppose anything happened that would
enable us to go and live in another place, there would be a sort of
ingratitude, something like a shabby action, in turning one's back on
the old spot. I don't like to feel unkind even to a town.'
The girl glanced at him with meaning eyes. Here was an instance of the
sympathetic relations of which she had spoken to Wilfrid; in these words
was disclosed the origin of the deepest sensibilities of her own nature.
They pursued their walk, across the common and into a tree-shaded lane.
Emily tried to believe that this at length was really the country; there
were no houses in view, meadows lay on either hand, the leafage was
thick. But it was not mere prejudice which saw in every object a
struggle with hard conditions, a degeneration into coarseness, a blight.
The quality of the earth was probably poor to begin with; the herbage
seemed of gross fibre; one would not risk dipping a finger in the stream
which trickled by the roadside, it suggested an impure source. And
behold, what creatures are these coming along the lane, where only
earth-stained rustics should be met? Two colliers, besmutted wretches,
plodding homeward from the 'pit' which is half a mile away. Yes, their
presence was in keeping with the essential character of the scene.
Public-domain text, read in full here on John Shaqi.
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