England -- Fiction; Strikes and lockouts -- Fiction
He, Austin Clay, was getting towards thirty years of age. He enjoyed a
handsome salary, and was putting by money yearly. He still remained at
Peter Quale's, though his position would have warranted a style of
living far superior. Not that it could have brought him more respect: of
that he enjoyed a full share, both from master and men. Clever,
energetic, firm, and friendly, he was thoroughly fitted for his
post--was liked and esteemed. But for him, Mr. Hunter's business might
not have been what it was, and Mr. Hunter knew it. _He_ was a
broken-spirited man, little capable now of devoting energy to anything.
The years, in their progress, had terribly altered James Hunter.
A hot evening in Daffodil's Delight; and Daffodil's Delight was making
it a busy one. Uninterrupted prosperity is sometimes nearly allied to
danger; or, rather, danger may grow out of it. Prosperity begets
independence, and independence often begets assumption--very often, a
selfish, wrong view of surrounding things. If any workmen had enjoyed of
late years (it may be said) unlimited prosperity, they were those
connected with the building trade. Therefore, being so flourishing, it
struck some of their body, who in a degree gave laws to the rest, that
the best thing they could do was to make themselves more flourishing
still. As a preliminary, they began to agitate for an increase of wages:
this was to be accomplished by reducing the hours of labour, the
proposition being to work nine hours per day instead of ten. They said
nothing about relinquishing the wages of the extra hour: they would be
paid for ten hours and work nine. The proposition was first put by the
men of a leading metropolitan firm to their principals, and, failing to
obtain it, they threatened to strike. This it was that was just now
agitating Daffodil's Delight.
In the front room of one of the houses that abutted nearly on the
gutter, and to which you must ascend by steps, there might be read in
the window, inscribed on a piece of paper, the following notice: 'The
Misses Dunn's, Milliner and Dressmakers. Ladies own materiels made up.'
The composition of the _affiche_ was that of the two Miss Dunns jointly,
who prided themselves upon being elegant scholars. A twelvemonth's
apprenticeship had initiated them into the mysteries of dressmaking;
millinery had come to them, as Mark Tapley would say, spontaneous, or by
dint of practice. They had set up for themselves in their father's
house, and could boast of a fair share of the patronage of Daffodil's
Delight. Showy damsels were they, with good-humoured, turned-up noses,
and light hair; much given to gadding and gossiping, and fonder of
dressing themselves than of getting home the dresses of their customers.
Public-domain text, read in full here on John Shaqi.
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