Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
Whether the young Captain Calverley, whom the
picture alluded to, was a hero because, when, one
day in the hunting-field, our young heiress and her
quadruped came to grief over a fence, he made his
horse swerve suddenly to avoid disastrous complications,
and thereby came to greater grief himself,
Mr. Pelly, at any rate, could form no judgment. It
was out of his line, he said. So, according to him,
was the sequel, in which the sadly mauled mortal
portion of the young soldier, with a doubt if the
immortal portion was still in residence, was carried
to Surley Stakes and qualified--though rather
slowly--to resume active service, by the skill of the
best of surgeons and the assiduity of an army of
nurses. But, hero or not, he was credited with
heroism by the young lady, with all the natural
consequences. And no doubt his convalescence
was all the more rapid that he found himself, when
he recovered his senses forty-eight hours after his
head struck the corner of a stone wall in his
involuntary dismount, in such very delightful
company, with such opportunities of improving his
relations with it. In fact, the scheme for his
removal must have developed very soon, to give him
a text for a sermon to the effect that he was
Fortune's Toy and the Sport of Circumstances, that he
accounted concussion of the brain and a fractured
thigh-bone the only real blessings his lot had ever
vouchsafed to him, and that happiness would
become a Thing of the Past as soon as he rejoined
his regiment. He would, however, devote the
remainder of his life to treasuring the memories of this
little hour of unalloyed bliss, and hoping that his
cherished recollections would at almost the rarest
possible intervals find an echo somehow and
somewhere that his adoration--badly in love as he
was--failed in finding a description for, as the climax of
a long sentence. And perhaps it was just as well
that his resources in prose composition gave out
when they did, as nothing was left then but to
become natural, and say, "You'll forget all about
me, Miss Upwell, you know you will. That's what
I meant"--the last with a consciousness that when
we are doing prose composition we are apt to say
one thing and mean another.
Madeline wasn't prepared to be artificial, with
this young dragoon or anyone else. She gave him
the full benefit of her large blue eyes--because, you
see, she had got him down, as it were, and he couldn't
possibly become demonstrative with a half-healed
fracture of the thigh--and said, "I hope I _shan't_.
I shall try not to, anyhow." But this seemed not
to give entire satisfaction, as the patient said, rather
ruefully, "_You could_, if you tried, Miss Upwell!" To
which the young lady, who was not without a
mischievous side to her character, answered, "Of
course I could!" but immediately repented, and
added. "One can do anything one likes, if one tries
hard enough, you know!"
Public-domain text, read in full here on John Shaqi.
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