Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
We have, however, been tempted away from our
subject, which at present is the community of
Artists that occupied them; and must return to it
to say that these very drawbacks were not altogether
without their compensations. For though these
Studios were, like the arguments of Dissent,
unsound--being constructed to admit rainwater and
retain products of combustion, each of its own
stove and the Studio beneath it--these structural
shortcomings were really advantages, in so far as
they promoted interchange of social amenities
between the resident victims of the speculative
builder who ran up the congeries. Sympathy
against their common enemy, the landlord, brought
all the occupants of Pimlico Studios into a hotchpot
of brotherly affection, and if the choruses of
execration in which they found comfort have reached the
ears for which they were intended, that builder will
catch it hot, one of these odd-come-shortlies. This
expression is not our own.
When Mr. Reginald Aiken, with his domestic
perplexity burning his tongue's end and crying
aloud for utterance, called upon the Artist from
whom we have borrowed it, that gentleman, Mr. Hughes,
one of his most intimate friends, was
thinking. He had been thinking since breakfast--thinking
about some new Aspects of Nature, which
had been the subject of discussion with some friends
the evening before. They were those new Aspects
of Nature which have been presented so forcibly by
Van Schronk and Le Neutre; and of which, in this
Artist's opinion, more than a hint is to be found
in Hawkins. He was thinking deeply when Mr. Aiken
came in, and not one stroke of work had he
done, would that gentleman believe him, since he
set out his palette. Mr. Aiken's credulity was not
overtaxed.
Mr. Hughes wanted to talk about himself, and
said absently, "You all right, Crocky?" addressing
Mr. Aiken by a familiar name in use among his
intimate friends. He was not well disposed towards
a negative answer when Mr. Aiken gave one; an
equivocal one certainly, but not one to whose
meaning it was possible to affect blindness. The
words were "Middlin'--considerin'!" But Mr. Hughes
was not going to be too coming.
"Wife well?" said he remotely.
Mr. Aiken sprang at his inattentive throat, and
nailed him. "Ah, that's it," said he. "That's
the point."
Mr. Hughes was forced to inquire further, and
stand his Idea over, for later discussion. But he
might just as well have let it alone--better, if you
come to that. He really was a stupid feller, Hughes,
don't you know? "I say," said he, "don't you
run away and say I didn't tell you what would
happen." For he had interpreted his friend's
agitated demeanour and equivocal speech as the
result of a recent insight into futurity, showing him
in the position of a detected and convicted parent,
without the means of providing for an increasing
family. For they do that, families do.
Public-domain text, read in full here on John Shaqi.
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