Adultery -- Fiction; French fiction -- 19th century
She had paused upon this question. Why interrogate him? Did she not know
that he would coax her with these soft blandishments of speech which do
not reveal the depths of the heart? Would she succeed in deciphering the
meaning this living enigma of a man's character, set thus before her for
weal or woe? Cruel heart! would it never yield her its secret? Kisses,
however, may be more tender than he who gives them, soft looks may
conceal a soul like a veil--and she was so thirsty for truth!
But whence came all this moral anxiety that preyed upon her? Nothing had
to all appearance occurred between them, and already she was alternately
asking herself:
"Does he love me as much as at first? Does he love me? Has he ever loved
me? Can he love me?"
And every minute she struck upon some trifling fact that heightened her
doubt. She ceaselessly encountered that mistrust which degraded her,
that irony which bruised her, that dryness of heart which reduced her to
despair. Some of their friends from Bourges would arrive in Paris, and
Alfred would say to De Querne:
"Do not come to-morrow evening; you would be too much bored. We are
having some acquaintances from the country."
"When I am going to be in your way," the young man would say to Helen
next day, "why do you not give me notice yourself, instead of doing it
through your husband?"
"To be in my way?" she would ask.
"Oh! why deceive me? You have had some flirtations over there for which
you blush here. You do not want me to verify your familiarity with this
man or the other. But what can that signify to me since you did not know
me? What does signify is to see you deceiving me."
Deceiving! always deceiving! This word recurred in Armand's
conversations--indefatigably; she read it in his eyes, his gestures, his
thoughts. Did she find herself obliged at the last moment to fail at one
of their meetings in the Rue de Stockholm, she knew that he would not
believe in her excuse. But a man of that kind--no, such a man cannot
love.
"Ah, love me, love me!" she would murmur feverishly as she drew closer
to him after passing through one of those crisis of anguish in which she
had felt how little her lover's heart belonged to her.
"Why, I do love you," he would reply, without understanding the agony of
which this agony was a last sigh. _She_ understood that the word had not
the same signification to him as to her, and the whole of the inward
tragedy whereof she was the silent, grief-stricken heroine, burst forth
one frightful day. Like a captive who, during his sleep, has been bound
by his conquerors to a corpse, and awakes to discover himself chained to
this horrible companion, she found herself, a living heart, a heart
susceptible to love, and happiness, and life, fastened to a corpse-like
heart, icy, moveless--slain!
Public-domain text, read in full here on John Shaqi.
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