A Manual of Photographic Chemistry, Including the Practice of the Collodion Process — John Shaqi
A Manual of Photographic Chemistry, Including the Practice of the Collodion ProcessHardwich, T. Frederick
Science
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Hardwich, T. Frederick
Photographic chemistry; Photography
[Illustration]
In this combination the front Lens is an Achromatic plano-convex, with,
the convex side turned toward the object; and the second, which takes up
the rays and refracts them further, is a compound Biconvex Lens; there are
therefore in all four distinct glasses concerned in forming the image,
which may appear at first to be an unnecessarily complex arrangement. It
is found however that a good result cannot be secured by using a single
Lens, when a "stop" is inadmissible. By combining two glasses of different
curves, the aberrations of one correct those of the other to a great
extent, and the field is both flatter and more distinct than in the case
of an Achromatic Meniscus employed without a diaphragm.
The manufacture of Portrait Lenses is a point of great difficulty, the
glasses requiring to be ground with extreme care, in order to avoid
_distortion_ of the image: hence the most rapid Portrait Lenses, having
large aperture and short focus, are often useless unless purchased of a
good maker.
_The Variation between the Visual and Actinic Foci in Lenses._--The same
causes which produce chromatic aberration in a Lens, tend also to separate
the chemical from the visual focus.
The violet and indigo rays are more strongly bent in than the yellow, and
still more than the red; consequently the focus for each of those colours
is at a different point. The following diagram shows this.
[Illustration]
V represents the focus of the violet ray, Y of the yellow, and E of the
red.
Hence, as the chemical action corresponds more to the violet, the most
marked actinic effect would be produced at V. The luminous portion of the
spectrum however is _the yellow_, consequently the visual focus is at Y.
Photographers have long recognized this point; and therefore, with
ordinary Lenses, not corrected for colour, rules are laid down as to the
exact distance which the sensitive plate should be shifted away from the
visual focus in order to obtain the greatest amount of distinctness of
outline in the image impressed by chemical action.
These rules do not apply to the Achromatic Lenses recently described. The
coloured rays being in that case bent together again and reunited, the two
foci also nearly correspond. By a little further correction to a point
higher in the Spectrum, they are made to do so perfectly.
SECTION IV.
_On the Photographic Action of Coloured Light._
It has already been mentioned in the First Section of this Chapter that
certain of the elementary colours of white light, viz. the violet and
indigo, are peculiarly active in decomposing the Photographic Salts of
Silver; but there are some points of importance relating to the same
subject which require a further notice.
The term "actinism" (Gr. ἁκτἱς, a ray or flash) has been proposed as
convenient to designate the property possessed by light of producing
chemical change; the rays to which the effect is especially due being
known as actinic rays.
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