A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
We see in the Chinese one of the most interesting phenomena in
the history of mankind, whether we look upon them from a social,
religious, or artistic point of view. They govern their State on
paternal principle, and on the grand rule, ‘Do to another what you
would he should do unto you, and do not unto another what you would
not should be done unto you. Thou only needest this law alone; it is
the foundation of all the rest’ (Confucius in the sixth century B.C.),
and yet they have made no progress in sciences and arts. The paternal
government and home-rule check every thought. A moral principle of
the very highest meaning has, as with many of us, worked badly. They
have done unto others what others have done unto them. They cheated
because they were cheated; they told falsehoods because they were
deceived by others; they were hypocritical because others were so too;
and they robbed and plundered others, because they were robbed and
plundered themselves. In this moral chaos they forgot to cultivate
the intellectual force of reasoning; they thus further disturbed
the already deranged equilibrium between morals and intellect. And
though they had gunpowder before the West of Europe, it remained in
the far East of Asia a mere toy to amuse young and old at festivals,
whilst in the possession of Western Europe it became, next to the
art of printing, the most powerful agent of civilisation. They had
paper before the West of Europe; they knew how to print at least
five centuries before Europe thought of re-inventing this Chinese
invention. They are as polite, if not politer, than the most civilised
Frenchman, and are witty and good-humoured. They have no fear of
death; trade with the same skill and perseverance as we; cultivate the
soil with even greater industry and ability than we; so that their
territory, about equal in extent to the whole of Europe, looks like
one great well-drained and irrigated garden, in which no spot which
can yield some return for assiduous labour is left uncultivated. There
is amongst the 400,000,000 of subjects of one single emperor not
one who cannot read and write. All places in the administration are
assigned after a severe competitive examination, and still they lack
the capacity of self-conscious, independent reasoning both in science
and art. They can paint a tiger-skin with such truthfulness that it
appears a real skin, framed under glass; but in the conception and
reproduction of the head of the ferocious brute, with its bloodthirsty
jaws and its merciless cruelty, they altogether fail. They have an
aversion to a proportionate division of space; they never attempt to
counterbalance their artistic ideas, and to arrange them according to
a law. They abhor spiritual, imaginary, and all higher intellectual
culture to such a degree, that they concentrate all their powers on
mere technicalities. Therefore they have remained stationary, whilst
others, who began their self-conscious national existence thousands
Public-domain text, read in full here on John Shaqi.
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