A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
To find answers to these _three_ questions: Where from? What for? Where
to? To measure the _three_ dimensions of space and time; to trace
the cause of which the _three_, ever stable and still ever varying,
phenomena are the effect; and to know what creation, preservation and
annihilation, or rather only transformation, are, has been the chief
aim of the Aryan mind; and, as history teaches us, they have found more
or less distinct answers to these questions. We are not only capable
of philologically tracing the development of the different languages
of the Aryan group step by step to one common parent-language--the
Sanskrit, but the art-historian may trace every mysterious conception
of the powers of nature, every form of personification or incarnation,
and every religious tenet or mystery, symbol or myth, to these same
Indians, who with the words _Pitâ_, _Matâ_, _Brahtâ_, _Duihtâ_,
have taught us the holiest relations of our family life. For words,
like pictures, are only representatives of outward impressions. To
the Trans-and Cis-Himâlâyan Aryans we can trace all theogonies,
cosmogonies, systems of esoteric pathology and mythic anthropology.
They first saw in geometrical forms the phenomena of the material as
well as the spiritual world; gave meaning and interpretation to these
mystic types; peopled heaven and earth with visible and invisible,
good and evil, gods, goddesses, and spirits. They first acknowledged
the ‘noumenal,’ or invisible, divine nature with its creative force;
and recognised the ‘phenomenal,’ or visible, nature of the world
as an emanation, evolution, development, outgrowth, or mere work
of the invisible Creator. All the gods of the Persians, Assyrians,
Babylonians, Egyptians, Greeks, and Romans, and a great number of
the customs of Hebrews and Christians, may be traced back to Indian
conceptions, forms, and modes of worship.
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