A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
_Gânesa_ is Janus, the god with two heads. He was the guardian of
ways; he had a _rod_ or _sceptre_ in his hand (the shepherd’s crook
or crosier) and a _key_--symbolic of his power to enter upon all the
important undertakings of mankind.
_S’rî_ or _S’rîs_ (Seris--Ceres), also _Lakshmî_, _Padmâ_, and
_Camalâ_, was the goddess of abundance, sprung from the sacred Lotus.
_S’iva_, the Greek _Zeus_, the Egyptian _Jao_, the Hebrew _Javeh_, the
Roman _Jovis_, with their analogous attributes of revenge, jealousy,
indomitable caprices, terror, and irreconciliation, all point to one
and the same origin. Of S’iva (as of Zeus, Jovis, or Javeh elsewhere)
it is recorded in Indian mythology that he had to fight with Daityas
(Titans, or fallen angels), the children of Dity. Indra, on this
occasion, provided the God of Fire, Justice, and Transformation with
fiery shafts. Again, Jove overthrew the Titans and giants, whom Typhon,
Bisareus, and Tityus led against the ruler of Olympus. The same is done
by Javeh or Jehovah, who hurled the legions of proud and overbearing
angels under Satan’s rule into the infernal regions. The analogy is too
striking to require any further comment.
_Paulastya_ (the Greek and Roman _Pluto_), or _Kuvêra_, the Egyptian
_Typhon_, the Hebrew _Satan_, bears a general family resemblance to the
conceptions of the chiefs of the lower regions.
_Garuda_, the beautiful bird with a lovely human face attending on
Vishnu, is the prototype of the youthful, blooming _Ganymede_ attending
on Zeus, not only in similarity of name, but especially in similarity
of function.
_Durga_, who takes her name from brandishing a lance, is, like _Pallas_
or _Minerva_, the Indian representative of heroic valour and reflecting
wisdom. Both _Durga_ and _Pallas_ slew demons and giants with their own
hands; both protected the wise and virtuous who paid them due respect
and adoration. _Seraswati_ and Minerva have also much in common. The
Minerva of Italy invented the flute, and Seraswati presided over melody.
_Is’wara_ and _Is’i_ of India are undoubtedly the originals of Osiris
and Isis.
_Dypuc_ read backwards gives us _Cupid_. The Indian name is derived
from _De’paka_, the inflamer. The mischief-maker of India and
Greece had one and the same name. We find his name and character in
Shakespeare’s masterly delineation of _Puck_.
These analogies go much farther and deeper than is at first sight
apparent.
Public-domain text, read in full here on John Shaqi.
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