A Marriage in High Life, Volume IScott, Lady (Caroline Lucy)
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A Marriage in High Life, Volume I
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
It was a thoroughly wet day; even the gentlemen could not go out—and, to
pass the morning, Lady Saville proposed practising some songs, in which
one of them took a part. Poor Emmeline, who could not rally her spirits
at all, felt little inclined to sing—but she complied, till at length,
fatigued and harassed, she gave up her place at the pianoforte to
Selina, and went to her own room. There on the table she found a note
addressed to her, in Fitzhenry’s handwriting. She trembled as she opened
it—it contained her own brooch, and these words:—
“I return you, what I suppose to be yours; how it came into my
possession, I know not. I have kept to my promise—I do all in my
power to promote your happiness—do then the same by me, and
respect feelings which I have honestly confessed to you.
“FITZHENRY.”
Emmeline read this over and over, scarcely knowing what the latter words
could refer to; so perfectly innocent did she feel of any infringement
of their agreement, and so satisfied that she had never, directly or
indirectly, to him or others, hinted at her cruel situation. However, at
last, calling to mind the way in which Selina had that morning so
provokingly entertained the company with her silly remarks, she felt
convinced, in spite of Fitzhenry’s well-known contempt for the person
who made them, that they had raised suspicions in his mind of her having
taken advantage of his absence to invade his apartment, and pry into his
secrets; perhaps had even led him to imagine that she had stolen his
favourite brooch with the foolish intention of wantonly tormenting him.
Wounded tenderness, and offended pride, alternately wrung her heart. To
clear herself was impossible, without confessing feelings, which she
could not bring herself to avow to one who evidently despised and
abhorred her. In total despair at the cruelly unfavourable light in
which untoward circumstances always placed her before him, whom it was
the first, almost the only wish of her heart to conciliate and please,
poor Emmeline wept in bitterness of soul.
Some explanation on her part, however, was absolutely necessary, but it
was long before she could resolve on what to say. At length, entering
into no particulars, she wrote merely these words.
“You do me great injustice, and totally mistake me: explanation,
however, is impossible—indeed, would probably be only
uninteresting and irksome to you, and therefore I shall not
attempt any.
“EMMELINE.”
How to give this to Fitzhenry unnoticed was the next difficulty, without
the risk of a _tête-à-tête_ interview, which in the present nervous and
irritated state of her feelings, she had no courage to seek. She heard
him in his room, which joined to hers, and there he remained all the
morning alone.
Public-domain text, read in full here on John Shaqi.
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