A Marriage in High Life, Volume IScott, Lady (Caroline Lucy)
General
A Marriage in High Life, Volume I
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
As Fitzhenry’s wife, she first attracted attention; and, with pleasing
manners, rank, riches, youth, and beauty at once to recommend her, she
was soon sought for, admired, and courted; and had she been willing to
take advantage of the universal cry in her favour, Emmeline might, with
little or no trouble on her part, have been raised to that envied
distinction, obtained no one knows how, or why, of being the _fashion_.
For the world is so capricious and wayward in its preferences, that it
often greets beings like Lady Fitzhenry (from circumstances regardless
of its favour) with those winning, gracious smiles, which it perversely
withholds from others most indefatigable in their efforts to obtain
them. Witness the anxious and fatiguing labours of so many candidates
for its patronage, their eternal struggles to grasp at what constantly
escapes them, if for a moment they pause to take breath, or relax the
little hold they have secured.
When individuals are blamed for either too much or too little love of
the world, the different welcome it bestows seems little considered. How
little does the situation of a courted, fashionable girl, surrounded by
partners and admirers, and thus at liberty to give herself every
impertinent air, which a vain mind, and a selfish, unfeeling heart
dictate, resemble that of the unobserved, disregarded being, who, night
after night, follows some elderly, undistinguished _chaperon_ through
the regular round of London amusements, and, seated by her hour after
hour in dull neglect, seems at last to become a part of the bench she
rests on, till reduced, perhaps, to be even envious of its
insensibility; yet the same enlivening music plays to both; the same
bright lights are cast on both, and the same glittering, buzzing crowd
surrounds them; but question them, after their night’s dissipation, as
to the entertainment at which they were both present, and how different
will be their accounts of the same scene—of what is called the gay
world! of all worlds the most melancholy to those who are not gay.
Public-domain text, read in full here on John Shaqi.
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