A Marriage in High Life, Volume IIScott, Lady (Caroline Lucy)
General
A Marriage in High Life, Volume II
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
On the second evening after her arrival, he had sunk into something more
like natural sleep than the state of stupor in which he had hitherto
lain. Fearful of moving, and thereby of disturbing him, Pelham had taken
hold of the first book he could reach, and was reading it by the light
of the lamp in the sick room. Emmeline was sitting at the foot of the
bed, with her eyes fixed on her husband’s countenance, for it was serene
and calm, and had more of its own natural expression than she had yet
seen. At length, he moved, passed his hand over his eyes, which then
rested on Emmeline, and endeavoured to raise himself. She saw that
sensibility had returned; and not daring to advance towards him herself,
she made sign to Mr. Pelham to come to him.
“Where am I?” exclaimed Fitzhenry.—“I have been very ill, Pelham, have I
not? I have no recollection—indeed, my head is still confused. I could
even now fancy,” continued he, staring wildly on Emmeline, “that I see
Lady Fitzhenry before me.”
“Yes, dear Fitzhenry,” replied his friend, “you have been ill—long very
ill; but you are now pronounced to be quite convalescent, and a few more
days will, I trust, restore you even to strength.”
“But my head is so weak—you will laugh at me Pelham—but I repeat it—I
could swear that at this moment I see Lady Fitzhenry quite plainly
sitting at the end of my bed; but I suppose it is all weakness, and that
such odd delusions will go off—but how very strange such fancies are!”
“Would you wish it to be no fancy?” said Pelham calmly: “would you like
your delirious vision to be realized?”
“Oh, Pelham, why do you talk in that way to me? you will only confuse my
poor brain still more—you too well know how impossible it is.”
“Do you still fancy you see her?” said Pelham.
“Still—still: it is her very countenance, her melancholy expression; and
she looks at me now—I almost fancy I see her breathe and move—Oh!
Pelham, for God’s sake give me something to rouse me out of this
miserably nervous state;” and Fitzhenry covered his eyes with both his
hands.
“Fitzhenry,” said Pelham, in a slow but tremulous voice, frightened at
the possible effect of that which he was going to impart,—“what if I
were to tell you that this is no sick dream—but that the figure before
you, is in truth and reality Lady Fitzhenry, your Emmeline?”
Fitzhenry gave a violent start, and grasped Pelham’s hand—“Good God!
Lady Fitzhenry in reality, here!—Speak to her Pelham—I dare not,
cannot.”
Poor Emmeline, trembling with anxiety, had not courage to move or utter
a single word, and during all this conversation had appeared the phantom
her husband had taken her for.
“Fitzhenry!” said Pelham, “compose yourself; you have nothing to fear
from Lady Fitzhenry; affection alone brought her here—and you will at
last be convinced, that far from being hated, you are loved as few can
hope to be.”
Public-domain text, read in full here on John Shaqi.
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