I had brought a piano with me, but no accompanist. That was not an
oversight; it was a matter of deliberate choice. I had been told,
before I left home, that I would have no difficulty in finding some
one among the soldiers to accompany me. And that was true, as I soon
found. In fact, as I was to learn later, I could have recruited a
full orchestra among the Tommies, and I would have had in my band,
too, musicians of fame and great ability, far above the average
theater orchestra. Oh, you must go to France to learn how every art
and craft in Britain has done its part!
Aye, every sort of artist and artisan, men of every profession and
trade, can be found in the British army. It has taken them all, like
some great melting pot, and made them soldiers. I think, indeed,
there is no calling that you could name that would not yield you a
master hand from the ranks of the British army. And I am not talking
of the officers alone, but of the great mass of Tommies. And so when
I told Captain Godfrey I would be needing a good pianist to play my
accompaniments, he just smiled.
"Right you are!" he said. "We'll turn one up for you in no time!"
He had no doubts at all, and he was right. They found a lad called
Johnson, a Yorkshireman, in a convalescent ward of one of the big
hospitals. He was recovering from an illness he had incurred in the
trenches, and was not quite ready to go back to active duty. But he
was well enough to play for me, and delighted when he heard he might
get the assignment. He was nervous lest he should not please me, and
feared I might ask for another man. But when I ran over with him the
songs I meant to sing I found he played the piano very well indeed,
and had a knack for accompanying, too. There are good pianists,
soloists, who are not good accompanists; it takes more than just the
ability to play the piano to work with a singer, and especially with
a singer like me. It is no straight ahead singing I do always, as you
ken, perhaps.
But I saw at once that Johnson and I would get along fine together,
so everyone was pleased, and I went on and made my preparations with
him for my first concert. That was to be in the Boulogne Casino--
center of the gayety of the resort in the old days, but now, for a
long time, turned into a base hospital.
They had played for high stakes there in the old days before the war.
Thousands of dollars had changed hands in an hour there. But they
were playing for higher stakes now! They were playing for the lives
and the health of men, and the hearts of the women at home in Britain
who were bound up with them. In the old days men had staked their
money against the turn of a card or the roll of the wheel. But now it
was with Death they staked--and it was a mightier game than those old
walls had ever seen before.
Public-domain text, read in full here on John Shaqi.
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