A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
As the marquis rode back again to the château he sat in the corner of
the coach, meditating deeply over all that he had seen and heard. "The
Chevalier de Monnière-Croix," he muttered to himself--"the Chevalier de
Monnière-Croix." Then he suddenly aroused himself from his meditations,
thrust his thumb and finger into his waistcoat pocket, and drew out
the diamond that Oliver had given him. He held it in a dozen different
lights, examining it keenly and critically. Finally he thrust it back
again into the pocket whence he had taken it. "At least," said he,
"his diamonds are real. Why, then, should he not be of noble family
if he chooses? A half a million livres' worth of diamonds, and that,
as he tells me, only a small part of his wealth! Very well, then, his
uncle was a chevalier and he is a prince--the Prince de Golconda, if he
chooses."
Oliver stood for a long while looking out of the window after the
marquis's coach had driven away. He felt very uneasy; he wished that he
had not told those lies; they frightened him. He felt as if he could
see them already flying home again to roost. But he need not have been
afraid. And then, besides, if there was a cloud, it had had a silver
edge: the last words that the marquis had uttered had been: "My dear
Oliver, let me hope that we may soon see you at the château--you and
your mother" (that was an after-thought), "for my daughter Céleste will
find it very stupid with no young people about. I shall not, however,
be able to show you my collection of diamonds, unfortunately; they are
at present--ahem!--in Paris."
SCENE FIFTH.--_A garden at the Château de Flourens._
A garden such as Watteau loved to paint--bosky trees, little stretches
of grassy lawn, white statues of nymphs and fauns peering from among
the green leaves, a statue of a naiad pouring water from a marble urn,
green with moss, into a marble basin, green with moss.
In front of all, the smooth river, dusked and dappled now and then by
little breezes that slowly sway the tops of the tall poplar-trees. The
little birds sing, and patches of sunlight and shadow flicker upon the
grass.
Enter Oliver and Mademoiselle Céleste. She carries a pink parasol that
makes her face glow like a rose leaf, and Oliver walks by her side.
That morning Oliver had paid his first visit to the château. His master
had trained him well in the ways of the world during the twelvemonth
he had lived with him in Paris; nevertheless, he came to the château
quivering with trepidation. But now the trepidation had passed and
gone, and it was all like the bewildering glamour of some strange
dream--the presence of his love no longer dumbly reflected from the
smooth, passionless mirror, but in warm living flesh and blood,
breathing and articulate. She spoke; she smiled; it was divine. A
little wind blew a gauze of hair across her soft cheek now and then
as they walked together; her sleeve brushed against Oliver's arm, and
Oliver's heart quivered and thrilled.
Public-domain text, read in full here on John Shaqi.
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