A Modern Cinderella; Or, The Little Old Shoe, and Other StoriesAlcott, Louisa May
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A Modern Cinderella; Or, The Little Old Shoe, and Other Stories
Alcott, Louisa May
Fiction; Short stories
We spent a curious week together. Robert seldom left his room, except
upon my errands; and I was a prisoner all day, often all night, by the
bedside of the Rebel. The fever burned itself rapidly away, for there
seemed little vitality to feed it in the feeble frame of this old young
man, whose life had been none of the most righteous, judging from the
revelations made by his unconscious lips; since more than once Robert
authoritatively silenced him, when my gentler bushings were of no
avail, and blasphemous wanderings or ribald camp-songs made my cheeks
burn and Robert's face assume an aspect of disgust. The captain was a
gentleman in the world's eye, but the contraband was the gentleman in
mine;--I was a fanatic, and that accounts for such depravity of taste,
I hope. I never asked Robert of himself, feeling that somewhere there
was a spot still too sore to bear the lightest touch; but, from his
language, manner, and intelligence, I inferred that his color had
procured for him the few advantages within the reach of a quick-witted,
kindly treated slave. Silent, grave, and thoughtful, but most
serviceable, was my contraband; glad of the books I brought him,
faithful in the performance of the duties I assigned to him, grateful
for the friendliness I could not but feel and show toward him. Often I
longed to ask what purpose was so visibly altering his aspect with such
daily deepening gloom. But I never dared, and no one else had either
time or desire to pry into the past of this specimen of one branch of
the chivalrous "F.F.Vs."
On the seventh night, Dr. Franck suggested that it would be well for
some one, besides the general watchman of the ward, to be with the
captain, as it might be his last. Although the greater part of the two
preceding nights had been spent there, of course I offered to
remain,--for there is a strange fascination in these scenes, which
renders one careless of fatigue and unconscious of fear until the
crisis is passed.
"Give him water as long as he can drink, and if he drops into a natural
sleep, it may save him. I'll look in at midnight, when some change will
probably take place. Nothing but sleep or a miracle will keep him now.
Good night."
Public-domain text, read in full here on John Shaqi.
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