A modern trio in an old townHaviland-Taylor, Katharine
General
A modern trio in an old town
Haviland-Taylor, Katharine
Americans -- Italy -- Fiction; Florence (Italy) -- Fiction; Young women -- Fiction
“It must go _quickly_--” I said. And she said something of sweethearts
and love, which was, of course, all off, but I hadn’t the time nor
ability to explain and so I let it go; and then I went back to my room
and undressed and went to bed.
CHAPTER TWELVE
DARK CLOUDS
The days that followed were dark and gloomy; the cold crept inside and
every one was uncomfortable and almost every one cross. Sometimes I
think that the weather really makes all the history, and certainly if
it hadn’t been damp Leslie wouldn’t have been sick with a cold; and if
she hadn’t had a cold she wouldn’t have quarreled with Viola; and if
Viola and she hadn’t quarreled, Viola wouldn’t have told Miss Meek all
about Leslie’s heart affair; and if Viola hadn’t confided it to Miss
Meek, then Viola and Leslie might have patched up their difference
long before they did. All this happened in the course of two dragging,
rough-surfaced days, during which no one was happy. And I contend that
the strain started from the clouded skies, and the chill which crept in
to cling to the floors and live boldly in the passages.
Friday afternoon I slipped a slicker over my everyday suit, which is a
belted tweed, and pulled a plain little felt hat low, and started out.
It was raining miserably, but I thought that I could shake off the
queer, unpleasant weight that I felt inside, if I walked hard, for I
had done that before. But everything conspired to hinder me.
I suppose every one has pictures that they collect without meaning to;
funny, little pictures that live in their minds and spring up at odd
moments; and pictures that sometimes come, with time, to bring back no
more than the _feeling_ of the long forgotten day when the particular
picture hung itself up inside.
Cats that step reluctantly and pick up their feet in their wet-hating,
curly way, will, I know, always take me back to the damp air of that
afternoon when I walked down past the fish market to the Piazza del
Duomo, where the cobbles shone in the wet and reflected the bobbing
umbrellas, and where, instead of the usual chattering crowds, there
were empty spaces, which was bound to give a feeling of loneliness to
any one who knew and loved the Florence of sunny days.
I went through this and down past the Loggia dei Lanzi, where there
were no stalls or no hand trucks heaped with flowers, and then through
the court-like street that divides the two upper floors of the big
Uffizi Gallery, on under the little passageway that connects these, and
then along the balustraded walk that overlooks the Arno.
Public-domain text, read in full here on John Shaqi.
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