A Noble Woman: The Life-Story of Edith CavellProtheroe, Ernest
History
A Noble Woman: The Life-Story of Edith Cavell
Protheroe, Ernest
Cavell, Edith, 1865-1915
A great congregation, representing all classes of society, had
assembled, and the nursing profession and the various branches of the
women's military services were largely in evidence. For fully half an
hour the waiting gathering listened enraptured to entrancing and
uplifting music of the Grenadier Guards' band.
The last notes died away. Suddenly the assembly rose as Queen Alexandra
was ushered to her seat. With her was Princess Victoria; and the King
was represented by the Earl of Athlone.
A few moments later the strains of Chopin's funeral march could be heard
outside the Abbey, betokening the arrival of the _cortège_; and then
beautiful voices echoed and re-echoed through aisle and transept as the
choir met the coffin, which progressed slowly from the great west door
towards the catafalque that waited to receive its noble burden. Tall
Guardsmen bore shoulder high the coffin, covered with the Union Jack,
which Edith Cavell had honoured with her life. To rest upon the glorious
colours Queen Alexandra had sent a magnificent wreath of red and white
carnations and arum lilies, to which an autograph card was attached upon
which she had written:
In memory of our brave, heroic, never-to-be-forgotten Nurse Cavell.
Life's race well run,
Life's work well done,
Life's crown well won,
Now comes rest.
From ALEXANDRA.
The service was marked by severe simplicity that savoured nothing of
exultation over a fallen foe; and yet there was the beautiful exultation
that belongs essentially to the Church of England Order for the Burial
of the Dead, which proceeded with tense emotion until the congregation
and choir united in singing 'Abide with me.' The Dean pronounced the
blessing.
The Dead March from _Saul_ was played with all the poignant appeal of
rolling and booming drums, wailing reeds, and the triumphant clangour of
brass. The 'Last Post,' heralded by a roll of drums, commencing so
softly as scarcely to be audible, swelled to a roar before it died into
the silence, on which broke the bugles; and last the 'Réveillé.'
Out of the shadows of the centuries into the sunlit street the
flower-decked coffin was borne by the eight Guardsmen bearers to be
replaced on the gun-carriage, which passed through the crowded City to
Liverpool Street Station, _en route_ for Norwich, and every yard of the
way there was evidence that the spirit of Edith Cavell was living in
the throngs who mourned her loss, even as they honoured her sacrifice.
Public-domain text, read in full here on John Shaqi.
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