English fiction -- 20th century -- History and criticism; Fiction
Once upon a time we had a scapegoat ready, the circulating libraries,
for they made themselves ridiculous when they banned _Black Sheep_ and
_The Uncounted Cost_, while every now and then they have banned a book
of artistic value, likely to lead astray the mothers rather than the
daughters. Like the others, I foamed and fumed against the libraries,
who after all were only conducting their business according to their
commercial interests; like many others, I set up the idea that the
circulating library was a sort of trustee for literature, and after this
coronation I abused the library as one unworthy of a crown. It was
rather unfair, for the conditions which militate against the free
embodiment of brute facts into fiction form prevailed before the Library
Censorship was thought of; the libraries have not made public opinion
but followed it; nowadays they slightly influence it. For public opinion
is not the opinion of the public, it is the opinion of a minority. The
opinion of a minority makes the opinion of the majority, because the
latter has, as a rule, no opinion at all.
Who the censorious minority is I do not quite know. I have a vision of a
horrid conclave made up of the National Council of Public Morals, some
shopkeepers addicted to their chapel in default of other vices, of
anti-suffragists who think _Ann Veronica_ dangerous; it must number some
elderly ladies too, tired of converting the stubborn heathen, and I
think some bishops, quite elderly and still more ladylike; there are
celibates with whom celibacy has not agreed and who naturally want to
serve out the world; there is everybody who in the name of duty,
decency, self-control, purity, and such like catch-words, has stuffed
his ears against the pipes of Pan with the cotton wool of aggressive
respectability. A pretty congress, and like all congresses it talks as
abundantly and as virulently as any young novelist. The vocal opinion of
these people is well described in a recent successful revue: 'To the
pure all things are impure.' Often of late years it has run amuck. Not
long ago it caused the Municipal Libraries of Doncaster and Dewsbury to
banish _Tom Jones_ and to pronounce _Westward Ho!_ unfit for devout
Roman Catholics; it still spreads into the drama and holds such plays as
_Waste_, _Mrs Warren's Profession_, _Monna Vanna_ well hidden under the
calico and red flannel of British rectitude; it has had its outbursts in
picture palaces and music halls, where it happened to overlook the
Salome dance and living pictures; often it unchains merriment, as on the
perfect days when it cropped titles that seemed suggestive and caused
plays to appear under more stimulating titles of 'The Girl Who Went' ...
and 'The Girl Who Lost' ... (I do not remember what she lost, but I
passionately want to know; such are the successes of Puritanism).
Public-domain text, read in full here on John Shaqi.
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