A Pasteboard Crown: A Story of the New York StageMorris, Clara
General
A Pasteboard Crown: A Story of the New York Stage
Morris, Clara
Actresses -- Fiction; New York (N.Y.) -- Fiction; Theater -- Fiction
Dorothy, in answer to Sybil's look, was trying to find some excuse for
leaving the two together, and had just expressed a desire to cross the
lawn to look at a very fine hawthorn when they saw a young woman coming
up the steps and heard a ring of the doorbell. Claire Morrell's eyes
happened to be upon Sybil's at the moment, and the look of despair that
settled whitely down upon her face made her think, with a quickening
pulse, "That's just the expression of face many a woman must have seen
reflected from the clear water a moment before the fatal plunge." And
going swiftly forward to greet the new-comer, who was her neighbor, she
decided to give Miss Lawton a chance to speak with her alone if she so
desired. Therefore, directly introductions had been made, she asked Miss
Helen Gray if she would not show Miss Dorothy about a bit, and,
laughingly joining their hands, she shoo'd them before her, crying: "Go
forth, lovers of flowers, and seek diligently for the oriole that hideth
the nest in mine orchard! A prize awaits the fair, the chaste, the
inexpressive she who first locates that nest!"
And as they went willingly forth Miss Morrell returned to the parlor,
pushing to the door nearest the stairs, and remarked, casually: "We've
got the whole floor to ourselves, now, so we may expand!"
Then, with a jerk and apropos of nothing, Sybil asked: "Miss Morrell,
is it very difficult to get upon the stage?"
A flash came from the blue eyes of the actress, and her lip curled
contemptuously as she answered: "Oh, no! If a woman has been party to a
particularly offensive scandal, or to a shooting, or has come straight
from the divorce court, then she turns quite naturally to the
stage-door, which seems to open readily to her touch--such is the
baneful power of notoriety. But your respectable, clean-minded girl, who
wishes to enter a theatre of high standing, will find it easier to break
through the wall, removing brick by brick, than to open unaided the door
closed against her."
"Oh, don't!" cried Sybil, in a pained voice, "don't jest! I am in
earnest! I--I--I want to go on the stage, Miss Morrell. Can you, will
you, help me?"
"Certainly not!" came the swift answer. "Help to the stage a young girl
who has a father and a mother and a good home? Be grateful for them,
and----"
But her words were crossed by a shrill laugh and the bitter cry: "'A
good home!' Dear God, hear her! 'A good home!'" And Sybil clasped her
throat with both hands to choke back the strangling sobs that were
following that laugh.
Claire Morrell rose, and, swiftly crossing to her guest, remarked: "You
are not well." Then, quite ignoring the gasped: "Oh, yes, I am! I am
well enough," she drew out the long pins securing it, lifted the heavy
hat from Sybil's head, and, running her long fingers through the dark
waves, said, gently: "What is it, child?"
Public-domain text, read in full here on John Shaqi.
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