Conrad, Joseph, 1857-1924; Novelists, English -- 20th century -- Biography
What emboldened me to clamber into
his chair I am sure I don't know, but a couple of hours afterward he
discovered me kneeling in it with my elbows on the table and my head
held in both hands over the MS. of loose pages. I was greatly confused,
expecting to get into trouble. He stood in the doorway looking at me
with some surprise, but the only thing he said after a moment of silence
was:
“Read the page aloud.”
Luckily the page lying before me was not overblotted with erasures
and corrections, and my father's handwriting was otherwise extremely
legible. When I got to the end he nodded, and I flew out-of-doors,
thinking myself lucky to have escaped reproof for that piece of
impulsive audacity. I have tried to discover since the reason for this
mildness, and I imagine that all unknown to myself I had earned, in
my father's mind, the right to some latitude in my relations with his
writing-table. It was only a month before--or perhaps it was only a week
before--that I had read to him aloud from beginning to end, and to his
perfect satisfaction, as he lay on his bed, not being very well at the
time, the proofs of his translation of Victor Hugo's “Toilers of the
Sea.” Such was my title to consideration, I believe, and also my first
introduction to the sea in literature.
If I do not remember where, how, and when I learned to read, I am not
likely to forget the process of being trained in the art of reading
aloud. My poor father, an admirable reader himself, was the most
exacting of masters. I reflect proudly that I must have read that page
of “Two Gentlemen of Verona” tolerably well at the age of eight. The
next time I met them was in a 5s. one-volume edition of the dramatic
works of William Shakespeare, read in Falmouth, at odd moments of the
day, to the noisy accompaniment of calkers' mallets driving oakum
into the deck-seams of a ship in dry-dock. We had run in, in a sinking
condition and with the crew refusing duty after a month of weary
battling with the gales of the North Atlantic. Books are an integral
part of one's life, and my Shakespearian associations are with that
first year of our bereavement, the last I spent with my father in exile
(he sent me away to Poland to my mother's brother directly he could
brace himself up for the separation), and with the year of hard gales,
the year in which I came nearest to death at sea, first by water and
then by fire.
Public-domain text, read in full here on John Shaqi.
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