A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of FriendsClarkson, Thomas
Religion
A Portraiture of Quakerism, Volume 1: Taken from a View of the Education and Discipline, Social Manners, Civil and Political Economy, Religious Principles and Character, of the Society of Friends
Clarkson, Thomas
Society of Friends
As the Quakers consider the theatre to have an injurious effect on the
morality of man, so they consider it to have an injurious effect on his
happiness. They believe that amusements of this sort, but particularly
the comic, unfit the mind for the practical performance of the christian
duties, and that as the most pure and substantial happiness, that man
can experience, is derived from a fulfilment of these, so they deprive
him of the highest enjoyment of which his nature is capable, that is, of
the pleasures of religion.
If a man were asked, on entering the door of the theatre, if he went
there to learn the moral duties, he would laugh at the absurdity of the
question; and if he would consent to give a fair and direct answer, he
would either reply, that he went there for amusement, or to dissipate
gloom, or to be made merry. Some one of these expressions would probably
characterise his errand there. Now this answer would comprise the
effect, which the Quakers attach to the comic performances of the stage.
They consider them as drawing the mind from serious reflection, and
disposing it to levity. But they believe that a mind, gradually
accustomed to light thoughts, and placing its best gratification in
light objects, must be disqualified in time for the gravity of religious
exercise, and be thus hindered from partaking of the pleasures which
such an exercise must produce.
They are of opinion also, that such exhibitions, having, as was lately
mentioned, a tendency to weaken the moral character, must have a
similarly injurious effect. For what innovations can be made on the
human heart, so as to seduce it from innocence, that will not
successively wean it both from the love and the enjoyment of the
Christian virtues?
The Quakers also believe, that dramatic exhibitions have a power of vast
excitement of the mind. If they have no such power, they are insipid. If
they have, they are injurious. A person is all the evening at a play in
an excited state. He goes home, and goes to bed with his imagination
heated, and his passions roused. The next morning he rises. He remembers
what he has seen and heard, the scenery, the language, the sentiments,
the action. He continues in the same excited state for the remainder of
the day. The extravagant passions of distracted lovers, the wanton
addresses of actors, are still fresh upon his mind. Now it is contended
by the Quakers, that a person in such an excited state, but particularly
if the excitement pleases, must be in a very unfavourable state for the
reception of the pure principle, or for the promotion of the practical
duties of religion. It is supposed that if any religious book, or if any
part of the sacred writings, were handed to him in these moments, he
would be incapable of enjoying them; and of course, that religious
retirement, which implies an abstraction from the tilings of the world,
would be impracticable at such a season.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account