A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and IrelandWilkins, W. H. (William Henry)
History
A Queen of Tears, vol. 1 of 2: Caroline Matilda, Queen of Denmark and Norway and Princess of Great Britain and Ireland
Wilkins, W. H. (William Henry)
Caroline Mathilde, Queen, consort of Christian VII, King of Denmark, 1751-1775
Despite his precocity, Christian had some extraordinary crazes and
superstitions. One of them he cherished from the nursery. His Norwegian
nurse had told him many legends of Scandinavian Vikings whose physical
perfections rivalled the gods, mighty warriors who were invulnerable
in battle, like the legendary heroes of ancient wars. At this time
there was a very widespread belief in northern Europe in a foolish
superstition called the "Art of Passau," a secret charm which made men
hard and invulnerable in battle. The young Crown Prince's imagination
was fired by it, and he determined to acquire the secret of the charm
and so attain his ideal of supreme physical perfection. Gradually
he came to believe that he had found it, and soon the hallucination
extended to his thinking that he was also endowed with superhuman
mental attributes, and he saw himself a mightier ruler and warrior than
Peter the Great or Frederick the Great, and a greater philosopher than
Leibniz or Voltaire. The fulsome despatches of Cosby, the assistant
English envoy,[30] would almost seem to warrant this preposterous
belief, for he describes the Crown Prince in the most extravagant terms.
[30] In 1763 the envoy, Titley, on the ground of age and infirmity,
was granted an assistant, and the British Government sent Cosby to
Copenhagen, and he virtually took over the whole business of the
legation, Titley only intervening in domestic matters connected
with the royal families of England and Denmark. Cosby conducted the
diplomatic business until his recall in 1765. He suddenly went insane.
[Illustration: QUEEN LOUISE, CONSORT OF FREDERICK V. OF DENMARK AND
DAUGHTER OF GEORGE II. OF ENGLAND.
_From a Painting by Pilo in the Frederiksborg Palace._]
"I had yesterday," he writes, "the honour of an audience with
the Prince Royal, and was greatly charmed with the graceful and
affectionate manner in which his Royal Highness received and answered
the compliment I had the honour to make him on the part of the King
[George III.].[31] This young Prince already promises everything that
the most sanguine hopes of this nation can expect. To an amiable and
manly countenance, a graceful and distinguishing figure, he joins an
address full of dignity, and at the same time extremely affable. But
what struck me most was the great resemblance of his Royal Highness,
both in person and manner, to the King [George III.] when his Majesty
was of the age the Prince now is [sixteen]. The likeness is in truth so
striking that it seems rather that of a royal brother than of a Prince
more distantly related [a first cousin] to his Majesty."[32]
[31] Wherever square brackets occur the matter is interpolated.
[32] Cosby's despatch, Copenhagen, March 27, 1764.
Public-domain text, read in full here on John Shaqi.
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