“I suppose you are right,” he said, gloomily. “But if I were a woman,
and knew I was killing a man by keeping myself in hiding, I’d come out
and show myself at any cost, especially if I loved him.”
“Now you are dealing in imagination, Harley,” I said; “and that never was
your strong point.”
Nevertheless, he was right on one point. The hopelessness of his quest
was killing Harley—not physically exactly, but emotionally, as it were.
It was taking all the heart out of him, and his present state of mind was
far more deplorable than when he was struggling with the book, and
constantly growing worse. He tried every device to find her—the Willards
were conjured up, and knew nothing; Mrs. Corwin and the twins were
brought back from Europe, and refused to yield up the secret; all the
powers of a realistic pen were brought to bear upon her, and yet she
refused utterly to materialize.
Finally, I found it necessary to act myself. I could not stand the sight
of Harley being gradually eaten up by the longing of his own soul, and I
tried my hand at exploration. I had no better success for several weeks;
and then, like an inspiration, the whole thing came to me. “She won’t
come when he summons her, because she loves him. She won’t summon him to
come to her, for the same reason. Why not summon both of them yourself
to a common ground? Embalm them in a little romance of your own. Force
them if need be, but get them there, and so bring them together, and let
them work out their own happiness,” said I to myself. The only
difficulty that presented itself was as to whether or not Marguerite
would allow herself to be forced. It was worth the trial, however, and
fortune favored me. I found her far from rebellious. My pen had hardly
touched paper when she materialized, more bewilderingly beautiful than
ever. I laid the scene of my little essay at Lake-wood, and I found her
sitting down by the water, dreamily gazing out over the lake. In her lap
was Stuart Harley’s book, and daintily pasted on the fly-leaf of this was
the portrait which had appeared in the August issue of _The Literary
Man_, which she had cut out and preserved.
Public-domain text, read in full here on John Shaqi.
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