Having provided the heroine with a spot conducive to her comfort, I hastened to transport Harley to the scene. It was easy to do, seeing how deeply interested I was in my plot and how willing he was. I got him there looking like a Greek god, only a trifle more interesting, because of his sympathy-arousing pallor—the pallor which comes from an undeserved buffeting at the hands of a mischievous Cupid. I know it well, for I have observed it several times upon my own countenance. The moment Harley appeared upon the scene I chose to have Marguerite hastily clasp the book in her hands, raise it to her lips, and kiss the picture—and it must have been intensely true to life, for she did it without a moment’s hesitation, almost anticipating my convenience, throwing an amount of passion into the act which made my pen fairly hiss as I dipped it into the ink. Of course Harley could not fail to see it—I had taken care to arrange all that—and equally of course he could not fail to comprehend what that kiss meant; could not fail to stop short, with a convulsive effort to control himself—heroes always do that; could not fail thereby to attract her attention. After this nothing was more natural than that she should spring to her feet, “the blushes of a surprised love mantling her cheeks”; it was equally natural that she should try to run, should slip, have him catch her arm and save her from falling, and—well, I am not going to tell the whole story. I have neither the time, the inclination, nor the talent to lay bare to the world the love-affairs of my friend. Furthermore, having got them together, I discreetly withdrew, so that even if I were to try to write up the rest of the courtship, it would merely result in my telling you how I imagined it progressed, and I fancy my readers are as well up in matters of that sort as I am. Suffice it to say, therefore, that in this way I brought Stuart Harley and Marguerite Andrews together, and that the event justified the means: and that the other day, when Mr. and Mrs. Harley returned from their honeymoon, they told me they thought I ought to give up humor and take to writing love-stories. [Picture: I am not going to tell the whole story] “That kissing the picture episode,” said Stuart, looking gratefully at me, “was an inspiration. To my mind, it was the most satisfactory thing you’ve ever done.” “I like that!” cried his wife, with a mischievous twinkle in her eye. “He didn’t do it. It was I who kissed the picture. He couldn’t have made me do anything else to save his life.” “Rebellious to the last!” said I, with a sigh to think that I must now write the word “Finis” to my little farce. “Yes,” she answered. “Rebellious to the last. I shall never consent to be the heroine of a book again, until—” She paused and looked at Stuart. “Until what?” he asked, tenderly. “Until you write your autobiography,” said she. “I have always wanted of be the heroine of that.”