Discreet as was my conduct in general during these twelve months, and
earnestly as I sought to avoid in its mildest form what Aunt Agnes
called coquetry, I was not able to escape the importunities of Mr. Barr.
Absorbed as I was in my work, and determined to consider all attentions
from my literary friends as mere meaningless gallantries, it was very
difficult to disregard the artist-poet's protestations of devotion: they
had become little short of that. He was a constant visitor at the rooms
of our Society, although his own principles were hostile to those we
professed; and he would spend as much time as I would permit, lolling
about my desk and whispering all sorts of nonsense. He brought me
flowers and fruit, and now and then some new publication,--not in
sufficient quantity to permit me to refuse them, but a single rose or a
peach, or a tiny volume of verses. He sent me sonnets and madrigals
through the post without signature, though in his own handwriting, and
denied with asseverations their authorship when questioned. Besides
his black and his brown, he had a green velveteen coat, and a
different-colored flowing tie for every day in the week. His habits were
in complete conformity with his philosophy of extremes. He was apt to
tell me when he had been sitting up all night, whether in study or what
he called wassail; but I could always guess the fact from his
appearance. His method of work was equally irregular, and he lived from
hand to mouth. He would be idle as a forced peach on a hot-house wall
(to use a simile of his own) for weeks at a time; and yet when he was
seized with a desire to work, it was no uncommon thing for him to paint
or compose twenty-four hours at a sitting, and come to the Bureau or my
house, almost before I was out of bed, with dishevelled raiment and
bloodshot eyes, to exhibit or read to me the result of his industry.
Public-domain text, read in full here on John Shaqi.
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