British -- Italy -- Fiction; England -- Fiction; Florence (Italy) -- Fiction; Humorous stories; Young women -- Fiction
She played Schumann. “Now some Beethoven” called Cecil, when the
querulous beauty of the music had died. She shook her head and played
Schumann again. The melody rose, unprofitably magical. It broke; it was
resumed broken, not marching once from the cradle to the grave. The
sadness of the incomplete—the sadness that is often Life, but should
never be Art—throbbed in its disjected phrases, and made the nerves of
the audience throb. Not thus had she played on the little draped piano
at the Bertolini, and “Too much Schumann” was not the remark that Mr.
Beebe had passed to himself when she returned.
When the guests were gone, and Lucy had gone to bed, Mrs. Vyse paced up
and down the drawing-room, discussing her little party with her son.
Mrs. Vyse was a nice woman, but her personality, like many another’s,
had been swamped by London, for it needs a strong head to live among
many people. The too vast orb of her fate had crushed her; and she had
seen too many seasons, too many cities, too many men, for her
abilities, and even with Cecil she was mechanical, and behaved as if he
was not one son, but, so to speak, a filial crowd.
“Make Lucy one of us,” she said, looking round intelligently at the end
of each sentence, and straining her lips apart until she spoke again.
“Lucy is becoming wonderful—wonderful.”
“Her music always was wonderful.”
“Yes, but she is purging off the Honeychurch taint, most excellent
Honeychurches, but you know what I mean. She is not always quoting
servants, or asking one how the pudding is made.”
“Italy has done it.”
“Perhaps,” she murmured, thinking of the museum that represented Italy
to her. “It is just possible. Cecil, mind you marry her next January.
She is one of us already.”
“But her music!” he exclaimed. “The style of her! How she kept to
Schumann when, like an idiot, I wanted Beethoven. Schumann was right
for this evening. Schumann was the thing. Do you know, mother, I shall
have our children educated just like Lucy. Bring them up among honest
country folks for freshness, send them to Italy for subtlety, and
then—not till then—let them come to London. I don’t believe in these
London educations—” He broke off, remembering that he had had one
himself, and concluded, “At all events, not for women.”
“Make her one of us,” repeated Mrs. Vyse, and processed to bed.
As she was dozing off, a cry—the cry of nightmare—rang from Lucy’s
room. Lucy could ring for the maid if she liked but Mrs. Vyse thought
it kind to go herself. She found the girl sitting upright with her hand
on her cheek.
“I am so sorry, Mrs. Vyse—it is these dreams.”
“Bad dreams?”
“Just dreams.”
The elder lady smiled and kissed her, saying very distinctly: “You
should have heard us talking about you, dear. He admires you more than
ever. Dream of that.”
Lucy returned the kiss, still covering one cheek with her hand. Mrs.
Vyse recessed to bed. Cecil, whom the cry had not awoke, snored.
Darkness enveloped the flat.
Chapter XII
Twelfth Chapter
Public-domain text, read in full here on John Shaqi.
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