A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
I was fortunate enough to obtain places in one of the apartments of
_Duroc_, the governor of the palace, from the windows of which I saw
the review to the greatest advantage. It is impossible to describe the
impatience with which we awaited the appearance of Bonaparte. Mrs. ⸺ well
observed, that her eyes ached with looking.
As soon as the court of the Thuilleries, (that is to say the ground,
which is enclosed with iron railings, near the Carousel,) was filled
with the different regiments, who arranged themselves with wonderful
skill, and without the least confusion, notwithstanding the limited space
allotted them, the generals descended from their horses, went up stairs
into the palace, and, after some little delay, conducted Bonaparte to the
door. He instantly sprang on his white charger, (which waited for him at
the gate) and commenced the review. As he passed several times before
the window where I sat, I had ample time to examine his countenance,
his figure, his dress, and his manner. His complexion is uncommonly
sallow, his countenance expressive but stern, his figure little but well
made, and his whole person, like the mind which it contains, singular
and remarkable. If I were compelled to compare him to any one, I should
name Kemble, the actor. Though Bonaparte is much less in size, and less
handsome than that respectable performer, yet in the construction of the
features, and in the general expression, there is a strong resemblance.
There is, however, such originality about the appearance of the first
consul, that, without having seen him, it is difficult to form an idea of
his person. The picture of Bonaparte at the review, exhibited some time
back in Piccadilly, and the bust in _Sèvre china_, which is very common
at Paris, and which has probably become equally so in London, are the
best likenesses I have seen. As to his dress, he wore the grand _costume_
of his office, that is to say a scarlet velvet coat, richly embroidered
with gold, to this he had added leather breeches, jockey boots, and a
little plain cocked hat, the only ornament of which was a national
cockade. His hair unpowdered was cut close in his neck.
Public-domain text, read in full here on John Shaqi.
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