A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capitalLemaistre, J. G. (John Gustavus)
History
A rough sketch of modern Paris : $b or, Letters on society, manners, public curiosities, and amusements, in that capital
Lemaistre, J. G. (John Gustavus)
Paris (France) -- Description and travel
Portalis is a man of grave, respectable appearance, about fifty years
old, and so shortsighted, as to be nearly blind. As soon as he ascended
the rostrum, the utmost silence prevailed, and the legislators seemed
to listen with that profound attention, which is only given to those
from whom we expect either amusement or instruction. As for me, I
received both from his discourse; and I do not remember to have been yet
so well contented with a public speaker in France. He spoke for rather
more than an hour and a half, without notes and without hesitation. He
explained with precision, the principles and the heads of the code,
which he was ordered to lay before the legislature; and while he was
clear and intelligible in every part of his speech, he was frequently
extremely eloquent. His principal aim seemed to be, as he expressed it,
“de profiter des lumières de notre temps, mais pas de les avancer[34].”
He particularly recommended a system of laws, corresponding with those
of other nations, and which should strengthen the ties of matrimony, and
the security of domestic happiness. Among the many strong expressions,
with which his speech abounded, I remarked the following. “_Pour aimer
le monde entier, on peut dire, il faut aimer premièrement sa patrie,
mais celui qui commencerait à aimer le monde entier, finira à n’aimer
aucun pays[35]. La philosophie a fait son devoir, c’est à vous, citoyens
législateurs, d’achever le votre. La philosophie commence à faire le
bonheur des hommes, mais c’est la législation qui l’acheve, &c._” The
legislature ordered his speech to be printed, and adjourned.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account