England -- Social life and customs -- Fiction; Love stories; Marriage -- Fiction
Daphne, who was glowing hotly, suddenly spoke her mind.
"If an honest man," she said, "wrote me a letter like that, I don't
think I should read it aloud to total strangers, even if I was
mortally offended by it. It doesn't seem to me cricket. Good-bye, and
thank you so much for asking me to lunch."
"_Not_ altogether a successful party," mused Daphne, as a taxi-cab
conveyed her to Hurlingham. "What a hateful girl! And yet, at the back
of all that affectation I believe there is something. I couldn't help
liking her. She certainly is very lovely, and she must have been a
darling before men got hold of her and spoiled her.... I wonder if
that letter was from Jim Carthew. It sounded like his blunt
blundering way of doing things. Well, he is well rid of her, anyhow.
Hurrah! here is Hurlingham, and there are the Peabodys! How lovely to
see the trees and grass again! And the _dear_ ponies!"
The country-bred girl drew a long luxurious breath, and in the fulness
of her heart grossly overpaid her charioteer on alighting. Then,
forgetting Miss Tallentyre and her exotic atmosphere utterly and
absolutely, she plunged with all the energy of her sunny soul into the
sane delights and wholesome joys afforded by green trees, summer
skies, and prancing polo-ponies.
III.
Daphne concluded her day, after a joyous drive home in the cool of the
evening on the box-seat of a coach, by entertaining Jim Carthew to
dinner. Afterwards he was to take her to _The Yeoman of the Guard_,
which was running through a revival at the Savoy Theatre. Daphne was
by no means a _blasée_ Londoner as yet, for much of her short married
life had been spent at Belton; and the theatre was still an abiding
joy to her. On the way she rattled off a list of the pieces she had
seen.
"And you have never been to a Gilbert and Sullivan opera?" asked
Carthew incredulously.
"No--never."
"All I can say is--cheers!"
"Why?"
"Supposing you were a benevolent person about to introduce a small boy
to his first plum-pudding, you would feel as I do," replied her
companion. "But wait. Here is the theatre: we are in the fourth row of
stalls."
Daphne sat raptly through the first act. Once or twice her laughter
rang out suddenly and spontaneously like a child's, and indulgent
persons turned and smiled sympathetically upon her; but for the most
part she was still and silent, revelling in Sullivan's ever-limpid
music and following the scenes that passed before her with breathless
attention.
When the curtain fell slowly upon the finale of the first act--the
suddenly deserted stage, the bewildered Fairfax holding his fainting
bride in his arms, and the black motionless figure of the executioner
towering over all--Daphne drew a long and tremulous breath, and turned
to her companion.
"I understand now what you meant," she said softly. "How splendid to
be able to bring some one here for the first time!"
Public-domain text, read in full here on John Shaqi.
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