Paul Ferrier and Emanuel Pessard produced a grand opera in two acts entitled "Tabarin" in Paris in 1885; Alboiz and Andre a comic opera with the same title, music by Georges Bousquet, in 1852. Gilles and Furpilles brought out an operetta called "Tabarin Duelliste," with music by Leon Pillaut, in 1866. The works seem to have had only the name of the hero in common. Their stories bear no likeness to those of "La Femme de Tabarin" or "Pagliacci." The Spanish play, "Drama Nuevo," by Estebanez, was adapted for performance in English by Mr. W. D. Howells under the title "Yorick's Love." The translation was made for Mr. Lawrence Barrett and was never published in book form. If it had the denouement suggested in Leoncavallo's letter to Sonzogno, the fact has escaped the memory of Mr. Howells, who, in answer to a letter of inquiry which I sent him, wrote: "So far as I can remember there was no likeness between 'Yorick's Love' and 'Pagliacci.' But when I made my version I had not seen or heard 'Pagliacci.'" The title of Leoncavallo's opera is "Pagliacci," not "I Pagliacci" as it frequently appears in books and newspapers. When the opera was brought out in the vernacular, Mr. Frederick E. Weatherly, who made the English adaptation, called the play and the character assumed by Canio in the comedy "Punchinello." This evoked an interesting comment from Mr. Hale: "'Pagliacci' is the plural of Pagliaccio, which does not mean and never did mean Punchinello. What is a Pagliaccio? A type long known to the Italians, and familiar to the French as Paillasse. The Pagliaccio visited Paris first in 1570. He was clothed in white and wore big buttons. Later, he wore a suit of bedtick, with white and blue checks, the coarse mattress cloth of the period. Hence his name. The word that meant straw was afterward used for mattress which was stuffed with straw and then for the buffoon, who wore the mattress cloth suit. In France the Paillasse, as I have said, was the same as Pagliaccio. Sometimes he wore a red checked suit, but the genuine one was known by the colors, white and blue. He wore blue stockings, short breeches puffing out a la blouse, a belted blouse and a black, close-fitting cap. This buffoon was seen at shows of strolling mountebanks. He stood outside the booth and by his jests and antics and grimaces strove to attract the attention of the people, and he told them of the wonders performed by acrobats within, of the freaks exhibited. Many of his jests are preserved. They are often in dialogue with the proprietor and are generally of vile indecency. The lowest of the strollers, he was abused by them. The Italian Pagliaccio is a species of clown, and Punchinello was never a mere buffoon. The Punch of the puppet-show is a bastard descendant of the latter, but the original type is still seen in Naples, where he wears a white costume and a black mask. The original type was not necessarily humpbacked. Punchinello is a shrewd