The object of the play was to vindicate the female sex, attacked in "Woman is a Weathercock;" and it is accomplished amply and happily in the persons of the Maid, Wife, and Widow. The plot is threefold, applying to each of them, but the incidents are interwoven with ingenuity, and concluded without confusion. In several of our old plays, husbands become, or endeavour to become, the instruments of the dishonour of their wives. Middleton was too fond of incidents of this odious kind, which are to be found in his "Chaste Maid in Cheapside," 1630, and in "Anything for a Quiet Life," 1662;[69] but in both cases the purpose of the husband was to profit by his own disgrace. In Field's "Amends for Ladies," the husband only resorts to this expedient to put his wife's fidelity to the test. This portion of the play was borrowed, in several of its preliminary circumstances, from the novel of the "Curioso Impertinente" in "Don Quixote;" but it would not have accorded with Field's design of making amends to the fair sex that Subtle should have met with the same success as Lothario. The attempt of Bold in disguise upon the Widow was taken from an incident apparently well known about the date when the play was written, and referred to in it. The original of that part of the comedy which relates to Ingen and the Lady Honour has not been found, and perhaps it was the invention of the poet. The two editions of this play in 1618 and 1639 do not materially vary, although the difference between the title-pages might lead to the supposition that "the merry pranks of Moll Cut-purse" and the "humour of roaring" were new in the latter copy. It seldom happens that faith is to be put in attractive changes of title-pages. Middleton and Rowley's "Fair Quarrel" is, indeed, an instance to the contrary; for the edition of 1622 contains a good deal of curious matter connected with the manners of the times, promised in "the fore-front of the book," and not found in the copy of 1617. In "Amends for Ladies," Moll Cut-purse only appears in one scene. The variations between the impressions are errors of the press, some of which are important of their kind, and such as rendered a careful collation absolutely necessary.