Strangely enough, this painter of gay and brilliant society succeeded to the _fauteuil_ of an ecclesiastic, l'abbe d'Houtteville, and was welcomed by another, Languet de Gergy, archbishop of Sens. At his death his place was filled by still another, a certain abbe de Radonvilliers. The task of the archbishop was not one of the easiest, for it devolved upon him to eulogize an author, many of whose works, by reason of his ecclesiastical position, he was not supposed to have read. The acquaintance that he shows with them, however, is rather too intimate to credit his assertion that his judgment is drawn from hearsay: but with due deference to public opinion and his supposed position, the archbishop lauds rather the character of the man than the excellence of the author, declaring that it is not so much for the multitude of his books, though welcomed by the public with avidity, that Marivaux owes his election, as it is to "l'estime que nous avons faite de vos moeurs, de votre bon coeur, de la douceur de votre societe, et, si j'ose le dire, de _l'amabilite_ de votre caractere."[159] Along with much praise of the author's ability, with flattering comparisons such as these: "Theophraste moderne, rien n'a echappe a vos portraits critiques.... Le celebre La Bruyere parait, dit-on, ressusciter en vous..." are criticisms upon the immoral influence of certain of his works, particularly the _Paysan parvenu_, which claim to have a moral aim. The archbishop suggests that his descriptions of licentious love are painted in such "naive and tender colors" that they must create upon the reader an impression other than that intended by the author, and that the young may be led to follow the example of the "paysan, parvenu a la fortune par des intrigues galantes," in spite of his recommendations of sobriety.[160] Nothing, perhaps, could have so wounded Marivaux as this imputation, for few writers have been actuated by purer and more noble motives, and it was with difficulty that he restrained his impulse to call upon the assembled company for justification.[161] This is but another instance of his extreme sensibility, for, despite the criticism more or less just, the spirit of the discourse was both kindly and complimentary, as may be seen from these closing words: "J'ai rendu justice, monsieur, a la beaute de votre genie, a sa fecondite, a ses agrements: rendez-la, je vous prie, de votre part, au ministere saint dont je suis charge; et en sa faveur, pardonnez-moi une critique qui ne deroge point, ni a ce qui est du d'estime a votre aimable caractere, ni a ce qui est du d'eloge a la multitude, a la variete, a la gentillesse de vos ouvrages."[162] No sooner was Marivaux a member of the French Academy than epigrams, such as this, began to be showered upon him: "Il eut ete mieux place a l'Academie des Sciences, comme inventeur d'un idiome nouveau, qu'a l'Academie Francaise, dont assurement il ne connaissait pas la langue."[163]