A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
The same _Chorus_ recommends Piety, and Relyance upon the Gods, and
threatens Pride and Irreligion with Destruction. In _Antigone_,[184]
_Tiresias_ advises _Creon_ to wave the Rigour of his _Edict_, And not let
the Body of _Polynices_ lie unburied, and expos'd. He tells him the Altars
were already polluted with Humane Flesh. This had made the Language of the
Birds unintelligible, and confounded the marks of _Augury_.[185] _Creon_
replies in a rage, and says he would not consent to the Burial of
_Polynices_: No, tho' 'twere to prevent the Eagle's throwing part of the
Carkass in _Jove_'s _Chair_ of _State_. This was a bold Flight; but 'tis
not long before he pays for't. Soon after, his Son, and Queen, kill
themselves. And in the close the Poet who speaks in the _Chorus_, explains
the Misfortune, and points upon the Cause, and affirms that _Creon_ was
punish'd for his Haughtiness and Impiety. To go on to his _Trachiniæ_.
_Hercules_ in all the extremity of his Torture does not fall foul upon
Religion. 'Tis true, He shows as much Impatience as 'tis possible. His
Person, his pain, and the Occasion of it, were very extraordinary. These
circumstances make it somewhat natural for him to complain above the common
rate. The Greatness of his Spirit, the Feavour of his Blood, and the Rage
of his Passion, could hardly fail of putting Force, and Vehemence into his
Expressions. Tho' to deal clearly he seems better furnish'd with Rhetorick,
than true Fortitude.[186] But after all, his Disorders are not altogether
ungovern'd. He is uneasy, but not impious, and profane.
I grant _Hercules Oeteus_ in _Seneca_, swaggers at a strange Rhodomontading
rate. But the Conduct of this Author is very indifferent. He makes a meer
_Salamander_ of his _Hero_, and lets him declaim with too much of Length,
Curiosity and Affectation, for one in his Condition: He harangues it with
great plenty of Points, and Sentences in the Fire, and lies frying, and
Philosophizing for near a hundred Lines together. In fine, this Play is so
injudiciously manag'd, that _Heinsius_ is confident 'twas written by
neither of the _Seneca's_, but by some later Author of a lower _Class_. To
return to _Sophocle_'s _Trachiniæ_. _Hyllus_ reproaches the Gods with
Neglect, because they gave _Hercules_ no Assistance, and glances upon
_Jupiter_ himself.[187] This sally is not so thoroughly corrected as
formerly. 'Tis true the _Chorus_ make some little satisfaction immediately
after. They resolve all surprizes of Misfortune, all Revolutions of States
or Families, into the will and Permission of _Jupitur_. This by
implication, They make an argument for acquiescence. Besides, the Poet had
laid in a sort of caution against Misconstruction before. For the
_Messenger_ tells _Dejaneira_ that we ought not to Murmur at the Conduct of
_Jupiter_.[188]
----[Greek: Tou logou d' ou chrê Phthonon]
[Greek: Gonai proseinai Zeus hotou praktôr phanê.]
Public-domain text, read in full here on John Shaqi.
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