A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_If thou wouldst have me not contemn thy Office,
And Character, think all thy Brethren Knaves,
Thy Trade a Cheat, and thou its worst Professour
Inform me; for I tell thee Priest I'le know._[206]
The Bottom of the Page is down-right Porters Rhetorick.
_Art thou then
So far concern'd in't?----
Curse on that formal steady Villains Face!
Just so do all Bawds look; Nay Bawds they say;
Can Pray upon Occasion; talk of Heaven;
Turn up their Gogling Eye-balls, rail at Vice;
Dissemble, Lye, and Preach like any Priest,
Art thou a Bawd?_[207]
The _Old Batchelour_ has a Throw at the _Dissenting Ministers_. The _Pimp
Setter_ provides their Habit for _Bellmour_ to Debauch _Lætitia_. The
Dialogue runs thus.
Bell. _And hast thou Provided Necessaries?_
Setter. _All, all Sir, the large Sanctified Hat, and the little precise
Band, with a Swingeing long Spiritual Cloak, to cover Carnal Knavery,--not
forgetting the black Patch which Tribulation_ Spintext _wears as I'm
inform'd upon one Eye, as a penal Mourning for the----Offences of his
Youth_ &c.[208]
_Barnaby_ calls another of that Character Mr. _Prig_, and _Fondlewife_
carrys on the Humour lewdly in _Play-house Cant_; And to hook the _Church_
of _England_ into the Abuse, he tacks a _Chaplain_ to the End of the
Description.[209]
_Lucy_ gives an other Proof of the _Poets_ good Will, but all little
Scurilities are not worth repeating.[210]
In the _Double Dealer_ the discourse between _Maskwell_ and _Saygrace_ is
very notable. _Maskwell_ had a design to cheat _Mellifont_ of his Mistress,
and engages the Chaplain in the Intrigue: There must be a _Levite_ in the
cafe; _For without one of them have a finger in't, no Plot publick, or
private, can expect to prosper_.[211]
To go on in the order of the _Play_.
_Maskwell_ calls out at _Saygraces door_, Mr. _Saygrace_ Mr. _Saygrace_.
The other answers, _Sweet sir I will but pen the last line of an Acrostick,
and be with you in the twingling of an Ejaculation, in the pronouncing of
an_ Amen. _&c._
Mask. _Nay good Mr._ Saygrace _do not prolong the time_, &c.
Saygrace. _You shall prevail, I would break off in the middle of a Sermon
to do you Pleasure._
Mask. _You could not do me a greater----except----the business in
hand----have you provided a Habit for Mellifont?_
Saygr. _I have_, &c.
Mask. _have you stich'd the Gownsleeve, that he may be puzled and wast time
in putting it on?_
Saygr. _I have; the Gown will not be indued without Perplexity._ There is a
little more profane, and abusive stuff behind, but let that pass.
The Author of _Don Sebastian_ strikes at the _Bishops_ through the sides of
the _Mufti_, and borrows the Name of the _Turk_, to make the _Christian_
ridiculous. He knows the transition from one Religion to the other is
natural, the Application easy, and the Audience but too well prepar'd. And
should they be at a loss he has elsewhere given them a _Key_ to understand
him.
Public-domain text, read in full here on John Shaqi.
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