A Son of Hagar: A Romance of Our TimeCaine, Hall, Sir
General
A Son of Hagar: A Romance of Our Time
Caine, Hall, Sir
Cumberland (England) -- Fiction; English fiction; London (England) -- Fiction
"A canny morning, Mr. Christian," he shouted. "Bad luck for the parson's
young lady, anyhow--her sweetheart is none to keen for the wedding," he
said, turning again to the fire.
"She's a fine like lass, yon," said Tom o' Dint.
An old man, iron gray, with a pair of mason's mallets swung front and
back across his shoulders, stepped into the smithy.
"How fend ye, John?" he said.
"Middling weel, Job," answered the blacksmith; "and what's your errand
now?"
"A chisel or two for tempering."
"Cutting in the church-yard to-day, Job? Cold wark, eh?"
"Ey, auld Ritson's stone as they've putten over him."
The blacksmith tapped the peddler on the arm.
"Gubblum, shall I tell you what's a-matter with Paul?"
"Never you bother, John, it's die-spensy."
"It's fretting--that's it--fretting for his father."
"Fretting for his fiddlesticks!" shouted Dick, the miller; "Allan's dead
this half a year."
"John's reet," said Job, the stone-cutter; "it is fretting."
Dick of the Syke got up off the iron rods.
"Because a young fellow has given you a job of wark to cut his father's
headstone and tell a lie or two in letters half an inch deep and two
shillings a dozen--does that show 'at he's fretting?"
"He didn't do nowt of the sort," said Job, hotly.
"Dusta mean as it were the other one--Hugh?" inquired the miller.
"Maybe that's reet," said Job.
Dick of the Syke was not to be beaten for lack of the logic of
circumlocution.
"Then what for do you say as Paul is weeping his insides out about his
father, when he leaves it to other folks to put a bit of stone over him
and a few scrats on it?"
"Because I do say so," said Job, conclusively.
"And maybe you've got your reasons, Job," said the blacksmith with
insinuating suavity.
"Maybe I have," said the mason. Then softening, he added, "I don't mind
telling you, neither. Yesterday morning when I went to wark I found Paul
Ritson lying full length across his father's grave. His clothes were
soaking with dew, and his face was as white as a Feb'uary mist, and
stiff and set like, and his hair was frosted over same as a pane in the
church window."
"Never!"
"He was like to take no note of me, but I gave him a shake, and called
out, 'What, Mr. Paul! why, what, man! what's this?'"
"And what ever did he say?"
"Say! Nowt. He get hissel' up--and gay stiff in the limbs he looked, to
be sure--and walked off without a word."
Gubblum on the tool chest had removed his pipe from between his lips
during the mason's narrative, and listened with a face of blank
amazement.
"Weel, that is a stiffener," he said, drawing a long breath.
"What's a stiffener?" said Job, sharply.
"That 'at you're telling for gospel truth." Then, turning to the
blacksmith, the peddler pointed the shank of his pipe at the mason, and
said: "What morning was it as he found Paul Ritson taking a bath to
hissel' in the kirk-yard?"
"Why, yesterday morning," said the smith.
"Well, he bangs them all at lying!" said Gubblum.
Public-domain text, read in full here on John Shaqi.
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