A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
“I’ll bet that well-shooter’s a crook,” said one of my companions.
He had, I remember, a great deal of mud in his hair and on his face.
He kept complaining as we went along. “He could have stuck that
nitro-glycerine only halfway down, and then set it off, that’s what
he could have done.” The idea, later taken up enthusiastically by the
entire community, pleased us all. It was so apparent the well-shooter
was not the hero we had hoped. He didn’t look like a hero. “Well, my
dad says he knows him. He lives over by Monroeville and he gets drunk
and beats his wife, my dad says so,” another lad declared.
It was rather a good solution of our difficulty. If one can’t have a
hero, who wants just a teamster?
It was infinitely better to have a villainous well-shooter about whose
Machiavellian machinations one’s imagination could linger in happiness.
NOTE VIII
IT must have been about this time that my own imaginative life began
to take form. Having listened to the tales told by my father, I wanted
to begin inventing tales of my own. At that time and for long years
afterward, there was no notion of writing. Did I want an audience,
someone to hear me tell my tales? It is likely I did. There is
something of the actor in me.
When later I began to write I for a time told myself I would never
publish, and I remember that I went about thinking of myself as a kind
of heroic figure, a silent man creeping into little rooms, writing
marvelous tales, poems, novels--that would never be published.
Perhaps it never went quite that far. They would have to be published
sometime. My vanity demanded that. Very well--I had died and had been
buried in some obscure place. In my actual physical life I had been a
house-painter, a workman in a factory, an advertising writer--whatever
you please. I had passed unnoticed through the throng, you see. “I say,
John, who is that fellow over there?”
“Oh, I don’t know. I’ve seen him about. He looks like a movie actor or
a gambler to me.”
You see, I dreamed of something like that--dead and buried away--and
then one day a man is snooping about in a garret in an old empty house.
He finds a pile of papers and begins looking them over, lazily, without
much interest. But look! “Hello here! Say, here is something!”
You get the notion. I’ll not go into it further. It might have been
a good card had I found within myself the courage to play it, but I
didn’t.
As to that first tale of mine and its invention. It grew out of
dissatisfaction with my father and a desire to invent another to take
his place. And professional jealousy may have had something to do with
it. He had been strutting about long enough. “Get out from under the
spotlight for a time, daddy. Give your son a chance to see what he can
do,” I perhaps really wanted to say.
Public-domain text, read in full here on John Shaqi.
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