A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writersAnderson, Sherwood
General
A story teller's story : $b The tale of an American writer's journey through his own imaginative world and through the world of facts, with many of his experiences and impressions among other writers
Anderson, Sherwood
Anderson, Sherwood, 1876-1941; Authors, American -- 20th century -- Biography
As he lies thus one can tell, any schoolboy could tell, that he is
physically made to be the very ideal of American romance. He is a man
of action--young and strong--there can be little doubt he is a man
of daring. What might not be done with such a man! Throw him back
into the days of the early pioneers and he will turn you out another
Daniel Boone. He will creep through hundreds of miles of forests,
never disturbing a grass blade, and bring you back the fair daughter
of the English nobleman, traveling in this country, whose daughter
inadvertently went for an afternoon’s stroll in the wood and was
captured by a skulking Indian; or he will shoot you a squirrel in the
eye at five hundred yards with his faithful rifle, called, playfully,
“Old Betsy.” Move him up a little now. Let, say Bret Harte, have him.
There he is, fine and dandy. He is a gambler in a Western mining camp
now, wearing a silk shirt and a Stetson hat. He will lose you a whole
fortune without the bat of an eye, but his personal associates are a
bit rough. He is always being seen about with Black Peg, who runs a
house of prostitution, and with Silent Smith, the killer.
Until, well, until one day when a New England school-teacher comes
into the rough mining camp. One night she is set upon and is about to
be outraged by a drunken miner. Then he, the associate of Black Peg,
steps forward and shoots the miner. Ten minutes before, he was drunk
and lying in the gutter, so drunk in fact that flies had been using
his eyeballs as sliding places, but the danger to the school-teacher
had sobered him instantly. He is a gentleman now. He offers the
school-teacher his arm and they walk to her cabin discussing Emerson
and Longfellow, and then our central figure of romance leaves her at
her cabin door and goes to a lonely spot in the mountains. He sits down
to wait until winter and the deep snows come, in order that he may
freeze to death. He has realized that he loves the New England lady
and is, in the language of the Far West, as set forth in all the best
books, “not fitten for her.”
The truth is that father, that is to say, my fanciful father, might
well have been used by any one of a dozen of our American hero-makers.
He is in the goods. That is the idea. In the hands of a Jack London
he might have been another Sea Wolf or a musher trudging through
the deep snow of the frozen North, cornering some fair virgin in an
isolated cabin, only to let her off at the last moment out of respect
for her dead mother, who expected something quite different of her.
Then later he might have gone to Yale, and after that become a stock
broker, taking daring chances with railroad stocks, married a woman who
loved only the glare and shine of social life, chucked her, failed in
business, gone farming, and turned out a clean man after all, say in
the pages of the _Saturday Evening Post_. It could have been done.
Public-domain text, read in full here on John Shaqi.
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