A Study of Siouan Cults: Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-1890, Government Printing Office, Washington, 1861, pages 351-544Dorsey, James Owen
Religion
A Study of Siouan Cults: Eleventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1889-1890, Government Printing Office, Washington, 1861, pages 351-544
Dorsey, James Owen
Siouan Indians -- Religion
§ 52. Three Kansa decorations follow. They are taken from an original
sketch made by a Kansa man, known to the white people as Stephen
Stubbs. The first tent (Fig. 178) is that of a man who had fasted
and held mysterious communication with an eagle which gave him some
feathers. He had danced the pipe dance once for some one. At the base
of this tent are seen two peace pipes on each side of the entrance. At
the back are a black bear and a large turtle. The second tent (Fig.
179) is that of a man who had danced the pipe dance three times.
Buffalo tails are fastened to the tops of the triangular pieces
forming the shelter of the smoke-hole, feathers hang from the two
shields, and the stars are above and on the base of the tent skins.
Feathers, shields, and stars are also on the back of this tent.
[Illustration: FIG. 179.--Kansa decorated tent.]
[Illustration: FIG. 180.--Kansa decorated tent.]
[Illustration: FIG. 181.--Maⁿze-guhe’s robe.]
Fig. 180 is the tent of a man who has danced the pipe dance four times.
It is very probable, judging from the stars on the tents, that the
owners of the second and third Kansa tents had had visions. The Kansa
say that when a man has danced the pipe dance twice, his tent can be
decorated with two cornstalks at the front (one on each side of the
entrance), and two more at the back. The pipes used in the calumet or
pipe dance are regarded as “Wakandaʇaȼicaⁿ” by the Omaha and Ponka, and
the inference is that the Kansa and Osage had a similar belief about
these pipes and the accompanying dance. Perhaps there was a time when
no man could undertake the pipe dance unless he had a vision of some
kind.
OMAHA NIKIE DECORATIONS.
§ 53. As the gentes of the Omaha and Ponka are regarded as being
“Wakandaʇaȼicaⁿ,” the “nikie” and “nikie names” have a religious
significance. George Miller has furnished the author with a few nikie
decorations, which are now given.
Maⁿze-guhe, an Omaha, belonged to the Waȼigije sub-gens of the
Iñke-sabĕ gens. The decoration of his robe (Fig. 181) marks the nikie
of the sub-gens, as it consisted of spiral forms known as “waȼigije.”
That of the tent (Fig. 182) refers to the nikie of the entire gens. In
the latter case, the buffalo head was painted on the back of the tent.
[Illustration: FIG. 182.--Maⁿze-guhe’s tent.]
Duba-maⁿȼiⁿ, who has a nikie name referring to the buffalo, belongs to
the Waȼigije sub-gens. His father wore a black blanket embroidered with
beadwork in two rows of spirals, between which was a star. All these
figures were made of white beads. (See Fig. 183.)
[Illustration: FIG. 183.--Duba-maⁿȼiⁿ’s father’s blanket.]
In the Pipe sub-gens of the Iñke-sabĕ there were several tent
decorations. Of the first, George Miller speaks thus:
Níkaciⁿ´ga-ma taⁿ´waⁿgȼaⁿ´-ma niníba t‘aⁿ´ amá Iñké-sabĕ
The people those in the gentes pipe have the pl. Black shoulder
sub.
Public-domain text, read in full here on John Shaqi.
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