A Survey of Russian Literature, with SelectionsHapgood, Isabel Florence
History
A Survey of Russian Literature, with Selections
Hapgood, Isabel Florence
Russian literature -- History and criticism
The first writer to divorce literature and science, like Lomonosoff, a
talent of the transition period, between the Epoch of Reform and the
brilliant era of Katherine II.--a product, in education and culture, of
the Reform Epoch, though he strove to escape from its traditions--was
Alexander Petrovitch Sumarokoff (1717-1777). Insignificant in comparison
with Lomonosoff, the most complete contrast with the peasant-genius by
his birth and social rank, which were of the highest, he was plainly the
forerunner of a new era; and in the sense in which Feofan Prokopovitch
is called "the first secular Russian writer," Sumarokoff must be
described as "the first Russian literary man."
The Empress Anna Ioannovna had had a troop of Italian actors, early in
her reign; and in 1735 a troop of actors and singers. The Empress
Elizaveta Petrovna revived the theater, and during her reign there were
even two troops of actors, one French, the other Italian, for ballet and
opera-bouffe (1757), both subsidized by the court. Sometimes an audience
was lacking at their performances, and on one occasion at least,
Elizaveta Petrovna improved upon the Scripture parable; when an
insufficient number of spectators presented themselves at the French
comedy, she forthwith dispatched mounted messengers to numerous persons
of rank and distinction, with a categorical demand to know why they had
absented themselves, and a warning that henceforth a fine of fifty
rubles would be exacted for such dereliction of duty.
A distinctive feature of Elizaveta's reign was the growth of closer
relations with France, which at this period represented the highest
culture of Europe. Dutch and German influences which had hitherto
impressed themselves upon Russian society, now gave place to French
ideas. Translations of the French classics of the brilliant age of Louis
XIV. were made in Russian, and the new Academy of Fine Arts established
by Elizaveta in St. Petersburg was put under the care of French masters.
It was in her reign also that the University of Moscow was founded.
Public-domain text, read in full here on John Shaqi.
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