A Tale of One City: the New Birmingham: Papers Reprinted from the "Midland Counties Herald"Anderton, Thomas
History
A Tale of One City: the New Birmingham: Papers Reprinted from the "Midland Counties Herald"
Anderton, Thomas
Birmingham (England); Birmingham (England) -- Social life and customs
The jewellery trade is not carried out in large factories with tall,
towering stacks, powerful steam engines, &c. Machinery may be used in
certain branches of the trade for all I know, but, speaking generally,
working jewellers sit at their bench, play their blow-pipe, and with
delicate appliances and deft hands put together the precious articles of
fancy they make.
Handsome lockets are not turned in a lathe. Diamond and ruby rings are
not productions that are run through a machine and sold by the gross,
"subject." Nor are jewelled pendants made in presses, nor beautiful
bracelets banged into shape by the mechanical thump of a stamping
machine. The consequence is that jewellery work of the finest fashion
is made in small establishments, but as I have said there are so many of
these that the "turn-out" in the way of "hands" is a formidable element
in our local population.
It is, we know, an ancient saw that tells us that two of a trade cannot
agree, but it has always struck me that jewellers belie this generally
accepted maxim. I came to this conclusion from knowing and visiting a
colony of goldfinches--I mean master jewellers, who are quite civil to
each other, will sit at meat and drink together, go to the same place of
worship, and generally behave as friends, neighbours, and Christians.
How it was that these employer blow-pipers could maintain and assume
such a benign and almost brotherly attitude towards each other was a
little puzzling to me till I thought the matter out. Jewellers they
might all be, but they did not all jewel alike. They rowed in the same
boat, but not with the same sculls--to use Jerrold's old joke, They
blowed the same pipe, but played different tunes. In a word they
produced different varieties of jewellery, and consequently did not cut
each other's throats in competition. One would chiefly make chains,
another lockets and pendants, a third studs and sleeve links, a fourth
rings, a fifth bracelets and brooches, and another miscellaneous
high-class productions, including mayoral chains, &c., &c. Under these
circumstances the two or three of a trade to whom I have referred have
been able to agree, and will be able to maintain good fellowship till
such times as some largely enterprising bold blow-piper forms himself
into a large syndicate, resolves to make everything himself, and crush
down all competition. But that time is not yet.
In speaking of the jewellery trade in Birmingham, I think I am safe in
saying that at any rate until recently the town, now a city, has not
enjoyed full credit for the high-class work it produces. For a long time
it was regarded as the workshop of cheap "sham" jewellery, and that if
you wanted really good things you must go to London and buy in the
marts of New Bond Street.
Public-domain text, read in full here on John Shaqi.
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