A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871Crockett, S. R. (Samuel Rutherford)
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A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871
Crockett, S. R. (Samuel Rutherford)
Adventure stories; Franco-Prussian War, 1870-1871 -- Fiction; Scots -- France -- Fiction
Cremieux and I presently stood at the top of a rough and tumble-down
flight of steps which led to a pier in somewhat better condition. I
recognised the work of my own hands upon this last. For Jeanne and I had
coopered it up only last year, so that her passengers might land without
risking their lives each time. Paths extended both up and down stream,
but as yet nothing had been done to the flight of rough-hewn steps of
split pinewood leading to the forest above. These things I did not
communicate to my new revolutionary friend, for I was busy wondering
what effect Jeanne Felix would have upon him.
My fourth or fifth shout brought the Mere Felix wrathfully down to the
river edge where her white cap and broad head ribbons showed between the
tall _cannes_. She had a couple of oars upon one shoulder and called
across at us, "Who is making such a noise with their Marianas? There is
no Mariana here except to my husband, the Pere Felix, who is now from
home, doubtless at one of his foolish reunions----"
"Dear Mariana," I answered, showing myself at the end of the little
pier, "push out a boat and you can kiss me for it. My father says you
may. Also send Jeanne quickly, for she and I can row so well together."
"It is that rascal of an English student, Monsieu' Auegoose from Gobelet.
Well, I might have guessed. Yet it is not playtime at St. Andre that I
have heard. I shall have you sent back and whipped. What, they do not
whip at St. Andre? Ah, it is no wonder, then, that you young people wax
so impertinent. If only you were _my_ boy, I should not call upon Pere
Felix to help me. No, no--I would----" and the old lady, smacking one
hard hand upon the other, conveyed her meaning exactly.
"Send Jeanne," I repeated, taking no notice of her pantomime.
"Send Jeanne," she imitated my college-trained voice,
"Jeanne--Jeanne--it is always Jeanne!"
"Perhaps," I ventured, "when you were Jeanne's age it was always
'Mariana'! I'll wager that more people than Pere Felix called you that
in those days, petite mere!"
"Here comes Jeanne at last," she called, so that I could hear. "Do not
put up with his insolence, Jeanne. He is a spoilt schoolboy, nothing
more."
Jeanne stepped sagely into the skiff, with a foot so light and practised
that the frail craft hardly quivered in the water. She was a tall, dark
girl with a supple figure, both light and well-rounded, remarkably
Diana-ish in a land where the women, save a few, are inclined to
shortness, and in addition are already overshadowed by the stoutness
which inevitably overtakes them after marriage.
Jeanne Felix received us without the least embarrassment into her boat.
When I mentioned my friend's name in introducing him, there was one
rapid up-and-down flicker of the drooping eyelashes, a flash of velvet
eyes, and then without a word or a salutation she handed me the bow oar
as if we had parted only the night before.
Public-domain text, read in full here on John Shaqi.
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