A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871Crockett, S. R. (Samuel Rutherford)
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A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871
Crockett, S. R. (Samuel Rutherford)
Adventure stories; Franco-Prussian War, 1870-1871 -- Fiction; Scots -- France -- Fiction
Rhoda Polly was sitting on a bench with peat and leaf-mould in little
boxes about her, and a red flowerpot held firmly between her knees while
she kneaded the black flaky mass down with urgent little knuckles.
"If I don't get those Alan Richardson roses to do this year--why, the
devil fly away with me!"
She spoke in French, and the words had not the same sound as in English.
Something gay and Rhoda Polly-ish rang cheerfully in my heart.
"Really you should not swear!" said I. "What would Miss
Balfour-Lansdowne say to that at Selborne College?"
"Oh, sometimes we said a good deal worse than that on the hockey ground,
or in the heat of an argument. Besides, if you did not want to hear, you
need not have followed me."
"Rhoda Polly," I said, "you know that I followed you because you made me
a signal that you wanted to talk to me."
"Yes, I know," owned up Rhoda Polly, who scorned concealment. "Well,
what have you to tell me now that you are here? I let you go just now
and unbosom yourself to the Paternal without complaining. That was only
playing the game, but certainly you owe it to me to stand and deliver as
soon as you got clear."
"Well, and here I am, Rhoda Polly--which will you have--plain
narrative--question and answer--the Socratic method, or a judicious
mixture of the two?"
I knew the inquiry would resolve itself into the latter. Rhoda Polly
went on with the potting of her Alan Richardson, biting her under lip at
critical points, but ever and anon flashing a pertinent query at me over
the boxes of mould without once raising her head.
With the exception of my talks with Jeanne and the harmless little
philandering we had indulged in to pass the time, I confided the whole
of my day's adventures to Rhoda Polly. I told her also of the permission
that her father had given that Hugh should go north and join the new
armies with me.
Then at last Rhoda Polly did lift her eyes with a vividness of reproach
in them.
"You cannot find enough to do here?" she said. "You trust these men at
the works? I tell you they are not to be trusted. I know them better
than either you or my father, I have heard their women-folk talking, and
I know what they mean to do."
"I know what they _say_ they mean to do," I retorted. "I also have heard
them in their cups, but it is only folly and emptiness."
"Do not be too sure," she said, patting the flowerpot round the edges
and squinting down at it as if it were a work of art symmetrically
finished. "I warn you we may need you here sooner than you think, and
then Gaston Cremieux may not be so friendly as he is to-day."
I asked her why, but she only bent more over her work and shook her
head. It had been clear to me from Cremieux's questions that he was in
love with Rhoda Polly, and now from Rhoda Polly's prophecy of his future
unfriendliness that she had made up her mind to reject him. But, in the
meantime, it was my clear duty to go on and do what I could in the army.
Public-domain text, read in full here on John Shaqi.
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