A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
A similar wooden origin for the Doric column has been advocated by some,
who point to the assertion of Pausanias that in the Doric Heraion at
Olympia the original wooden columns had with one exception been replaced
by stone columns as fast as they decayed. (See p. 62.) This, however,
only proves that wooden columns were sometimes used in early buildings,
not that the Doric column was derived from them. Others would derive it
from the Egyptian columns of Beni Hassan (p. 12), which it certainly
resembles. But they do not explain how the Greeks could have been
familiar with the Beni Hassan column long before the opening of Egypt to
them under Psammetichus; nor why, granting them some knowledge of
Egyptian architecture, they should have passed over the splendors of
Karnak and Luxor to copy these inconspicuous tombs perched high up on
the cliffs of the Nile. It would seem that the Greeks invented this form
independently, developing it in buildings which have perished; unless,
indeed, they brought the idea with them from their primitive Aryan home
in Asia.
+THE IONIC ORDER+ was characterized by greater slenderness of proportion
and elegance of detail than the Doric, and depended more on carving than
on color for the decoration of its members (Fig. 28). It was adopted in
the fifth century B.C. by the people of Attica, and used both for civic
and religious buildings, sometimes alone and sometimes in conjunction
with the Doric. The column was from eight to ten diameters in height,
against four and one-third to seven for the Doric. It stood on a base
which was usually composed of two tori (see p. 25 for definition)
separated by a _scotia_ (a concave moulding of semicircular or
semi-elliptical profile), and was sometimes provided also with a square
flat base-block, the _plinth_. There was much variety in the proportions
and details of these mouldings, which were often enriched by flutings or
carved guilloches. The tall shaft bore twenty-four deep narrow flutings
separated by narrow fillets. The capital was the most peculiar feature
of the order. It consisted of a bead or _astragal_ and echinus, over
which was a horizontal band ending on either side in a scroll or volute,
the sides of which presented the aspect shown in Fig. 29. A thin moulded
abacus was interposed between this member and the architrave.
[Illustration: FIG. 28.--GREEK IONIC ORDER. (MILETUS.)]
The Ionic capital was marked by two awkward features which all its
richness could not conceal. One was the protrusion of the echinus beyond
the face of the band above it, the other was the disparity between the
side and front views of the capital, especially noticeable at the
corners of a colonnade. To obviate this, various contrivances were
tried, none wholly successful. Ordinarily the two adjacent exterior
sides of the corner capital were treated alike, the scrolls at their
meeting being bent out at an angle of 45°, while the two inner faces
simply intersected, cutting each other in halves.
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