A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
"Well, that's him there, see? He comes in like this and sits down near the
band. Look at him. Do you make him? The way he's movin' his hands? See,
he's leadin' the band. Sure"--Izzy laughed mirthlessly--"that's what the
guy's doin'. Nuts, see? Daffy. He comes in here like that and I always
watch him. He sits still and when the music starts up he begins wit' his
hands. Ain't he the berries?
"Now keep your eye on him. You'll see somethin' pretty quick. He's alone
tonight. I guess the dame has shook him for the evenin'. Look, he's still
conductin'. Ain't he rich? But he's got a good face, you might say. Class,
eh? You'd know he was a musician.
"I tell you I begin to watch him the first time I saw him. And from the
beginnin' he's always conductin' when the band starts in. The dame is
usu'lly wit' him and she don't like it. She tries to stop him, but he
don't see her for sour apples. He keeps right on like now, beatin' time
wit' his hands. Look, the poor nut's growin' excited. Daffy. Can you beat
it? There he goes. See? That's on account of Jerry. Jerry's the black one
on the end wit' the saxophone. Ha, Jerry always does it.
"I told Jerry about this guy and Jerry tried it on him the first night. He
pulled a sour one, you know, blew a mean one through the horn and his nobs
nearly fell out of his seat. Like now. See, he's through. He won't conduct
the band any more tonight. He's sore. No sir, he won't conduct such a lot
of no-good boilermakers like Jerry. Can you beat it?"
* * * * *
Izzy's eyes follow a stoop-shouldered gray-haired man from one of the
tables. A thin-faced man with bloodshot eyes. He walks as if he were half
asleep. The crowd swallows him and Izzy laughs again without mirth.
"He's done for the night. That's low down of Jerry. But Jerry says it gets
his goat to see this daffy guy comin' in here night after night and
leadin' the band from the table. So the smoke blows that sour note every
time his nobs gets started on his conductin' and it always knocks his nobs
for a gool. He never stays another minute, but lights out right away.
"Look, there's his dame. The one wit' the green hat, sittin' wit' the guy
with the cheaters over there. Yeah, that's her. I don't know why she ain't
wit' him tonight. Prob'ly a lovers' quarrel." And Izzy grinned. "She's a
tough one, take it from me. I don't know how she hooked the professor, but
she did. She used to be swelled up about him. And once she got him a job
in Buxbaum's old place, she told me, to work in the orchestra. But his
nobs kicked. Said he'd cut his throat before playin' in a roughneck
orchestra and who did she think he was to do such a thing? He says to her:
I'm Weintraub--Weintraub, d'ye understand?' And he hauls off and wallops
her one and she guve up tryin' to get him a job. It makes her sore to
watch him sittin' around like tonight and conductin' the orchestra. She
says it ain't because he's daffy, but on account of his bein' stuck up."
Public-domain text, read in full here on John Shaqi.
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