A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
* * * * *
The newspaper man's thoughts form a conclusion.
"It's true, then," he thought, "the world's becoming as stupid as it
looks. People are drying up inside with facts, figures, dollar signs. This
man and his party would have got as much out of their cross-country trip
if they'd all been blindfolded and shot through a tunnel two thousand feet
under the ground. Man is like an audience and he has walked out on mystery
and adventure. The show kind of tired him. And got his goat. It would have
been a good yarn otherwise, the motor vagabonds. I'd have ended with
Hovey's verse:
"I must forth again tomorrow,
With the sunset I must be
Hull down on the trail of rapture
In the wonder of the sea."
Mumbling the lines to himself, the newspaper man strode on through the
crowded loop with a sudden swagger in his eyes.
NIRVANA
The newspaper man felt a bit pensive. He sat in his bedroom frowning at
his typewriter. About eight years ago he had decided to write a novel. Not
that he had anything particular in his mind to write about. But the city
was such a razzle-dazzle of dreams, tragedies, fantasies; such a crazy
monotone of streets and windows that it filled the newspaper man's thought
from day to day with an irritating blur.
And for eight years or so the newspaper man had been fumbling around
trying to get it down on paper. But no novel had grown out of the blur in
his head.
* * * * *
The newspaper man put on his last year's straw hat and went into the
street, taking his pensiveness with him. Warm. Rows of arc lights. A
shifting crowd. There are some streets that draw aimless feet. The blazing
store fronts, clothes shops, candy shops, drug-stores, Victrola shops,
movie theatres invite with the promise of a saturnalia in suspense.
At Wilson Avenue and Sheridan Road the newspaper man paused. Here the
loneliness he had felt in his bedroom seemed to grow more acute. Not only
his own aimlessness, but the aimlessness of the staring, smiling crowd
afflicted him.
Then out of the babble of faces he heard his name called. A rouged young
flapper, high heeled, short skirted and a jaunty green hat. One of the
impudent little swaggering boulevard promenaders who talk like simpletons
and dance like Salomes, who laugh like parrots and ogle like Pierettes.
The birdlike strut of her silkened legs, the brazen lure of her stenciled
child face, the lithe grimace of her adolescent body under the stiff
coloring of her clothes were a part of the blur in the newspaper man's
mind.
She was one of the things he fumbled for on the typewriter--one of the
city products born of the tinpan bacchanal of the cabarets. A sort of
frontispiece for an Irving Berlin ballad. The caricature of savagery that
danced to the caricature of music from the jazz bands. The newspaper man
smiled. Looking at her he understood her. But she would not fit into the
typewritten phrases.
Public-domain text, read in full here on John Shaqi.
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